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Northern mythology

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NORTHERN MYTHOLOGY. 137<br />

among forms of like sound. Every verbal illustration<br />

must, therefore, be conformable to the laws of transition<br />

between the <strong>Northern</strong> and its kindred tongues ;<br />

a rule, by<br />

the way, easier to give than to follow.<br />

To explain a myth is to show what can have given occasion<br />

to the image on which it hinges, and to express, in<br />

unemblematic language, the thought which serves as a<br />

basis for the image. Here explanation may usually stop<br />

for to follow the figurative<br />

picture through all its parts is<br />

not necessary, that being a process which will naturally be<br />

undertaken by every poetic mind, and the object of explanation<br />

is not to excite the fancj^, but to lead it to the<br />

point whence it may begin its flight. In the myth of<br />

Frey and Gerd^s love, for instance, the thought forms the<br />

basis, that the god of fecundity longs to spread his blessing<br />

over the barren earth, and to wake in the seed its<br />

slumbering efficacy. To show this is to explain the myth.<br />

But this thought is expressed by a picture of all the desires<br />

and sufferings of love, of the blessing of fruitfulness,<br />

as the effect of love in the youthful heart ; whereby the<br />

myth becomes a beautiful poem. To develop this poetic<br />

beauty is not the object of illustration ; it can escape no<br />

one who has a feeling for poetry. And to follow all the<br />

possible resemblances between the effect of fruitfulness in<br />

the earth, and the effect of love in the heart, would be as<br />

uninteresting as tasteless.

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