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68<br />
EVERGREEN Autumn<br />
Above: Jester and musician.<br />
GEORGINA HINE<br />
Right: A striking black-andwhite<br />
picture of the dancers<br />
in the Market Place.<br />
GEORGINA HINE<br />
Far right: The troupe at<br />
Blithfield Hall. GEORGINA HINE<br />
Terry explains how some people<br />
interpret their enactment as a fertility<br />
dance. For them, “It’s like the rutting<br />
season when you see the horns going<br />
back and forward and the circling<br />
part of the dance, where the female<br />
teases the male.” Others in the village<br />
regard it as a celebration of getting<br />
the harvest in. Some people have<br />
postulated it as an assertion of local<br />
forestry rights. For Terry and his<br />
troupe, there is no exact definition<br />
of when it started, and what it<br />
represents. He lets others draw their<br />
own conclusions; his sole concern is<br />
to see this tradition carried on.<br />
Everyone would assume the antlers<br />
used in the Abbots Bromley Dance<br />
were deer, but they are in fact reindeer<br />
so the mystery deepens. Reindeer<br />
were extinct before Saxon times.<br />
It seems the likely source of these<br />
antlers came from Scandinavia. The<br />
area around Staffordshire was settled<br />
by both the Saxons and Danes. The<br />
neighbouring River Trent would<br />
have ensured a feasible route between<br />
Viking settlements and Denmark and<br />
Norway via the Humber Estuary.<br />
When the second brown (antler) was<br />
damaged, just over 20 years ago, it<br />
was sent to Derby University where<br />
it was carbon-dated to the year 1065<br />
plus or minus 80 years, which raises<br />
yet another conundrum for those<br />
seeking a comprehensive explanation.<br />
The day begins at 7.30am when<br />
the antlers are collected from St.<br />
Nicholas’ Church. They’re kept in the<br />
Hurst Chapel under the supervision