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94 EVERGREEN Autumn<br />
Gadgets, such as the lighter which doubled<br />
as a camera, were essential tools for Drake.<br />
(continued)<br />
the American networks. A second<br />
series was not commissioned so<br />
McGoohan pursued other projects<br />
for the next three years.<br />
The immense popularity of the<br />
James Bond films in the early ’60s<br />
no doubt prompted the decision<br />
to revive Danger Man in 1964, with<br />
extensive changes to the original<br />
concept. From being an American<br />
NATO agent, the new Drake spoke<br />
with a British accent and worked<br />
for M9 in the British Secret Service.<br />
The character’s sports car from the<br />
earlier series was replaced by an<br />
inconspicuous Austin Mini Cooper.<br />
Danger Man returned in October<br />
1964 and the memorable new<br />
opening sequence featured<br />
McGoohan’s figure — shown briefly<br />
in negative — walking towards the<br />
camera. A sparkling harpsichord<br />
theme tune “High Wire”, written by<br />
Edwin Astley, accompanied both<br />
opening and closing titles.<br />
In the new series Drake’s<br />
maturity had given him a greater<br />
understanding of people, and<br />
he rebelled against some of his<br />
assignments sometimes clashing<br />
with his deceitful and ruthless<br />
M9 boss, Admiral Hobbs (Peter<br />
Madden). Arguably the most<br />
important change was the expansion<br />
of episodes to 50 minutes. This<br />
allowed for more complex storylines<br />
and greater character development.<br />
In 1964 Grade successfully sold<br />
Danger Man to American television<br />
reputedly for more than a million<br />
pounds. There, the series was retitled<br />
Secret Agent and given an additional<br />
theme called “Secret Agent Man”<br />
sung by Johnny Rivers.<br />
The third and final series, filmed<br />
mostly at Shepperton studios, began<br />
in autumn 1965 and ended the<br />
following April. After completing<br />
two colour episodes in spring 1966,<br />
McGoohan decided to quit his role<br />
as John Drake. Although Danger Man<br />
had made him an international star<br />
and the highest-paid actor on British<br />
television, he wanted to move on.<br />
Throughout his time at NATO<br />
and M9, Drake dealt with double<br />
agents, assassins and defectors. He<br />
was a highly skilled undercover<br />
operative and to combat his enemies<br />
he was an expert in the use of