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94 EVERGREEN Autumn<br />

Gadgets, such as the lighter which doubled<br />

as a camera, were essential tools for Drake.<br />

(continued)<br />

the American networks. A second<br />

series was not commissioned so<br />

McGoohan pursued other projects<br />

for the next three years.<br />

The immense popularity of the<br />

James Bond films in the early ’60s<br />

no doubt prompted the decision<br />

to revive Danger Man in 1964, with<br />

extensive changes to the original<br />

concept. From being an American<br />

NATO agent, the new Drake spoke<br />

with a British accent and worked<br />

for M9 in the British Secret Service.<br />

The character’s sports car from the<br />

earlier series was replaced by an<br />

inconspicuous Austin Mini Cooper.<br />

Danger Man returned in October<br />

1964 and the memorable new<br />

opening sequence featured<br />

McGoohan’s figure — shown briefly<br />

in negative — walking towards the<br />

camera. A sparkling harpsichord<br />

theme tune “High Wire”, written by<br />

Edwin Astley, accompanied both<br />

opening and closing titles.<br />

In the new series Drake’s<br />

maturity had given him a greater<br />

understanding of people, and<br />

he rebelled against some of his<br />

assignments sometimes clashing<br />

with his deceitful and ruthless<br />

M9 boss, Admiral Hobbs (Peter<br />

Madden). Arguably the most<br />

important change was the expansion<br />

of episodes to 50 minutes. This<br />

allowed for more complex storylines<br />

and greater character development.<br />

In 1964 Grade successfully sold<br />

Danger Man to American television<br />

reputedly for more than a million<br />

pounds. There, the series was retitled<br />

Secret Agent and given an additional<br />

theme called “Secret Agent Man”<br />

sung by Johnny Rivers.<br />

The third and final series, filmed<br />

mostly at Shepperton studios, began<br />

in autumn 1965 and ended the<br />

following April. After completing<br />

two colour episodes in spring 1966,<br />

McGoohan decided to quit his role<br />

as John Drake. Although Danger Man<br />

had made him an international star<br />

and the highest-paid actor on British<br />

television, he wanted to move on.<br />

Throughout his time at NATO<br />

and M9, Drake dealt with double<br />

agents, assassins and defectors. He<br />

was a highly skilled undercover<br />

operative and to combat his enemies<br />

he was an expert in the use of

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