The Spaces Between Grassroots Documentary ... - Ezra Winton

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Khouri, Malek. Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46, University of Calgary Press, Calgary AB, 2007 Kidd, Dorothy, Bernadette Barker-Plummer and Clemencia Rodriguez. “Media Democracy from the Ground Up: Mapping Communication Practices in the Counter Public Sphere,” Social Science Research Council, 2004. 12 June 2006, Kidd, Dorothy. “Indymedia.org: A New Communications Commons,” in Cyberactivism: Online Activism in Theory and Practice, Martha McCaughey and Michael Ayers (eds.), Routledge, New York, 2003, pp.47-69 Kluge, Alexander. “On Film and the Public Sphere,” New German Critique, No.24/25, Special Double Issue on New German Cinema (Autumn), 1981, pp.206-220 Knight, Julia. “DVD, Video and Reaching Audiences: Experiments in Moving-Image Distribution,” Convergence: The International Journal of Research into New Media Technologies, Sage Publications, Volume 13(1), 2007, pp.19-41 Knight, Julia. “Independent Film and Video Distribution in the UK During the 1980s and 1990s,” November, 2001. 11 June 2006, < http://alt-fvdistribution.net/project1.htm> Lacey, Liam. “…and the films everyone wants to make,” Globe and Mail, April 22, 2006, Langlois, Andrea, and Frederic Dubois (eds.). Autonomous Media: Activating Resistance and Dissent, Cumulus, Montreal, 2005 Lawrence, John Shelton. “Operation Hollywood: How the Pentagon Shapes and Censors the Movies,” The Journal of American Culture, 28 (3), 2005, pp.329–331 Lears, T.J. Jackson. “The Concept of Cultural Hegemony: Problems and Possibilities,” The American Historical Review, Vol. 90, No. 3, June 1985, pp.567-593 Lenoir, Timothy. “All But War is Simulation: The Military-Entertainment Complex,” Configurations, Volume 8, Number 3, Fall 2000, pp.289-335 Leys, Colin. Market-Driven Politics: Neoliberal Democracy and the Public Interest, Verso: London, 2001 142
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The Spaces Between Grassroots Docum
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iv ACKNOWLEDGEMENTS This thesis wou
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CHAPTER I HOT DOCUMENTARIES IN COOL
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p.167) Yet what brings Wintonick an
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Complimenting the celebration of ex
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somewhere. Documentaries make up a
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ealm of the marginalized, and furth
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short, there is a clear and urgent
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discussion and treats them as unnat
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content” (Ibid, p.3) reminiscent
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examines and exposes these phenomen
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some years working as an activist a
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grassroots distribution and exhibit
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the discursive and physical multipl
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attention in some areas, such as te
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writes: “The strongest barrier to
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its heyday 4 . Stuart Hall, Richard
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large multinational corporations wh
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it is a complex process of negotiat
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globally harmonized by a populist c
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(counterpublics) - such is the way
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She is concerned with the counter-h
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operating with an assumption that t
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film through the public sphere.”
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commercial exhibition sites, and fu
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adicalizing opposition or counterpo
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screenings can provide opportunity
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authors have chosen to survey the g
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demonstrative examples of the acade
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conflict(s) as a core of contestati
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consumer-over-citizen modeled (Mouf
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CHAPTER III - HISTORICAL CONTEXT -
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vis the ‘work’ of politicians,
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These authors are introducing the t
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articulations that illustrate the i
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indexes is a revealing exercise, in
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the lens of inequity, where cultura
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of the 20 th Century, was the agent
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As mentioned, d/e has been at the h
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the urban counterpart to the film c
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artist-driven and dedicates itself
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spaces and practices that this thes
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formations (in Dorland’s case) or
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irrelevancy. The social movements s
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in communities for citizen’s acti
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for CFC works was remarkably relaxe
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of documentary - on the oppression
Page 95 and 96: scholar concerned with progressive
Page 97 and 98: film industry, while texts that beg
Page 99 and 100: Montreal-based non-profit übercult
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Page 103 and 104: journalist still stationed in Haiti
Page 105 and 106: You are on Indian Land and Mike Mit
Page 107 and 108: Achbar settled down on to the grass
Page 109 and 110: the report continues, the authors a
Page 111 and 112: of grassroots I think of an organiz
Page 113 and 114: spaces through grassroots practices
Page 115 and 116: Haynes quickly realized there was a
Page 117 and 118: documentaries in Canada. Haynes add
Page 119 and 120: people experience the screenings, a
Page 121 and 122: like Charlottetown, PEI. The initia
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Page 125 and 126: community members who make up the K
Page 127 and 128: That said, AMC is paying more atten
Page 129 and 130: example, Achbar relates to me that
Page 131 and 132: consumers. What I have argued in th
Page 133 and 134: dominant veneers in culture, so tha
Page 135 and 136: that build counterpublics with the
Page 137 and 138: Nos voisons les hommes (USA - Over
Page 139 and 140: APPENDIX B Sample Interview Questio
Page 141 and 142: I HAVE CAREFULLY STUDIED THE ABOVE
Page 143 and 144: Beetham, David. Democracy: A Beginn
Page 145: Gramsci, Antonio. Selections from C
Page 149 and 150: Rennie, Ellie. Community Media: A G
Page 151 and 152: Yudice, George. “The Privatizatio
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