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The Spaces Between Grassroots Documentary ... - Ezra Winton

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such initiatives become crucial for what Fraser calls “actually existing democracy in<br />

capitalist societies.” (Fraser, 1992, p.17)<br />

Alexander Kluge has much to say on this topic as well, and while his terminology<br />

may differ slightly, his “oppositional public sphere” is akin to the concept of a<br />

counterpublic. Kluge emphasizes the importance of the public sphere to the construction<br />

of community:<br />

…the ‘public sphere’ is the most fundamental project that exists. In terms<br />

of community, of what I have in common with other people, it is the basis<br />

for processes of social change. This means, I can forget about the concept<br />

of politics if I neglect the production of a public sphere. This is a claim to<br />

legitimacy which we must carefully insist upon and oppose against the<br />

many private needs – despite the fact that disappointment with the<br />

bourgeois public sphere, its failures, betrayals and distortions has led<br />

many leftist groups to reject a public sphere altogether. (Kluge, 1982,<br />

p.213)<br />

Kluge has called the public sphere the “factory of politics” (Ibid) that is negotiated by<br />

“crawling under fences … erected by corporations, by censorship, [and] by authority”<br />

(Ibid., p.214) in order to build community spaces. Because the base of society is so<br />

complex, Kluge believes that not all aspects of dominant, hegemonic spheres are always<br />

successful at muting diverse voices and counter-initiatives. He maintains, “All methods<br />

of domination and those of profit (whose agents do not always want to dominate but<br />

rather to make profit and thereby dominate markets, economies, salaries, etc.) contain a<br />

calculation of marginal utility.” (Ibid) It is precisely in the margins where counterpublics<br />

flourish, in the ‘spaces between’ shopping malls, four lane highways, factories and<br />

megaplexes. <strong>The</strong>re, one will often find diversity that thrives on participation and<br />

complexity, spaces where films are shared, discussed, and debated. Kluge reminds us,<br />

that there are “incredible struggles and compromises involved when one wants to see a<br />

42

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