The Spaces Between Grassroots Documentary ... - Ezra Winton
The Spaces Between Grassroots Documentary ... - Ezra Winton
The Spaces Between Grassroots Documentary ... - Ezra Winton
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passions.” (Ibid, p.27) Zimmermann spends several pages of the book highlighting the<br />
many attacks on the arts that, combined with a neoliberal economic philosophy that has<br />
privatization at its core, are tearing at a public fabric. (Zimmermann, 2000, p. xvii) She<br />
writes that “anything public…is auctioned off like suburban real estate to private<br />
enterprise. <strong>The</strong> collective and the public have shrunk into the individual and the private.”<br />
(Ibid) To combat this profit-based force of socio-political and economic consolidation,<br />
Zimmermann argues for increased support for the media arts, especially independent<br />
political documentaries:<br />
Because they are associated with disruptive, polemical ideas rather than<br />
more neutral affirmations of higher aesthetic and less localized<br />
sensibilities, media arts, especially documentary, engage a political<br />
volatility and national instability of public space that conservatives want to<br />
defuse and derail. (Zimmermann, 2000, p.35)<br />
This “new cartography” is the second discursive space that my thesis interrogates (the<br />
first being Canadian film industry/policy and the counter-position of documentary cinema<br />
practices). Together, the mapping out of grassroots documentary distribution/exhibition<br />
practices and the links to the larger area of social movements around public space,<br />
democratic media and anti-neoliberalism constitute an effort to oppose the hegemony of<br />
neoliberal economic and cultural policies, with a focus on documentary cinema.<br />
Pierre Bourdieu writes that neoliberalism has established itself as a dominant<br />
discourse through sustained intervention by media-makers and intellects as a “whole<br />
labour of symbolic inculcation…[that puts forward] presuppositions of…maximum<br />
growth, competitiveness and productivity” (1998, p. 29,30) that ultimately leads to<br />
privatization, commercialization and consolidation of the media into the hands of a few<br />
elites. In concert with Bourdieu’s assertion is an active strain of research and writing that<br />
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