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The Spaces Between Grassroots Documentary ... - Ezra Winton

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writes: “<strong>The</strong> strongest barrier to the recognition of human cultural activity is this<br />

immediate and regular conversion of experience into finished products.” (Williams, 1977,<br />

p.128) Much of the discourse that looks at documentary cinema is not concerned with the<br />

“experience” of distributing or exhibiting docs, but rather the interplay between the box<br />

office (or market), audience (or marketing), and the ‘finished product’ of the actual film.<br />

Williams shares a concern for cultural hegemony, posed against reductionism, and his<br />

cultural hypothesis of a “structure of feeling” is a theoretical maneuver that opens up<br />

practices and spaces (or experiences) such as those around documentary d/e, to<br />

complicate them as processes and not mere products or points in a historical timeline.<br />

By theorizing cultural practices as non-static, complex articulations of social<br />

experience, pathways to understanding alternative or grassroots spaces open, as well as<br />

ways of seeing these formations as socially significant sites of resistance and community.<br />

<strong>The</strong>se cultural “relations” that have been neglected from the discussions on documentary<br />

- once considered under Williams’s terms - become as important to the social project of<br />

democracy and culture as textual analysis has in other studies. <strong>Grassroots</strong> spaces and<br />

practices around the dissemination and exposition of documentary cinema are part of<br />

various structures of feelings that the discursive formations visited in this chapter have<br />

revealed as counterpublics, alternative media spaces, cultural interventions and more.<br />

Williams summarizes the importance of situating cultural practices as structures of<br />

feelings:<br />

…as a matter of cultural theory this is a way of defining forms and<br />

conventions in art and literature as inalienable elements of a social<br />

material process: not by derivation from other social forms and pre-forms,<br />

but as social formation of a specific kind which may in turn be seen as the<br />

articulation (often the only fully available articulation) of structures of<br />

27

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