The Spaces Between Grassroots Documentary ... - Ezra Winton

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Nelson, Joyce. (Review) “Pierre Berton, Hollywood’s Canada: The Americanization of Our National Image,” in Jump Cut: A Review of Contemporary Media, no 12/13, 1976, Nichols, Bill. Introduction to Documentary, Bloomington, Indiana University Press, India, 2001 Nichols, Grant and Sloniowski. Documenting the Documentary: Close Readings of Docuemntary Film and Video, Scholarly Book Services, 2002 Norberg-Hodge, Helena. “The Pressure to Modernize and Globalize,” The Case Against the Global Economy and For a Turn Toward the Local, eds, Jerry Mander and Edward Goldsmith, Sierra Club Books, Berkely, 1996, pp. 33-46 Observatoire du documentaire/Documentary Network. “Documentary Film: Art form and Projection of democracy,” Brief submitted to the Standing Committee on Canadian Heritage, Canadian Film Industry, February 2005. 11 May 2006 < http://www.ridm.qc.ca/observatoire/recherches.e/cppc/> Oja Jay, Dru. “Technology, Democracy and Liberation: an interview with Darin Barney, 2003. 12 May 2006 < http://monkeyfist.com/articles/837?> Peet, Richard. “Ideology, Discourse, and the Geography of Hegemony: From Socialist to Neoliberal Development in Postapartheid South Africa,” Antipode, Blackwell Publishers, 2002, pp.54-84 Pendakur, Manjunath. Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry, Wayne State University Press, 1990 Pendakur, Manjunath. “Economic Relations Between Selected Canadian Film Producers and American Major Distributors: Implictaions for Canada’s National Film Policy,” Canadian Journal of Communication, 11(2), 1985, Profile 2007: An Economic Report on the Canadian Film Industry, published by the Canadian Film and Television Production Association in collaboration with l’Association des producteurs de films et de television du Québec and the Department of Canadian Heritage, February 2007. 25 February 2007 < http://www.canadianheritage.gc.ca/bye_e.cfm?site=http://www.cftpa.ca/PDFs/Profi le07_CLEAN.pdf> Ragosta, John A. “The Cultural Industries Exemption from NAFTA – Its Parameters,” Canada-United States Law Journal, Volume 23, 1997, pp. 12-21 144
Rennie, Ellie. Community Media: A Global Introduction, Rowman and Littlefield, 2006 Renov, Michael. The Subject of Documentary, University of Minesota Press, 2004 Rodriguez, Clemencia. Fissures in the Mediascape: An International Study of Citizens’ Media, Hampton Press Inc, Cresskill, New Jersey, 2001. Rosenthal, Alan and John Corner (eds). New Challenges for Documentary, 2 nd Edition, Manchester University Press, Manchester, 2005 Schiller, Herbert A. Culture Inc: The Corporate Takeover of Public Expression, Oxford University Press, NY, 1989 Sifaki, Eirini. “Global Strategies and Local Practices in Film Consumption,” Journal for Cultural Research, Vol 7, No 3, 2003, pp.243-257 Sin, David. “Distribution: Introduction: What is Distribution?,” Screenonline. 22 August 2007 Skinner, David. “Alternative Media,” in Attallah, Paul and Leslie Regan Shade (eds). Mediascapes: New Patterns in Canadian Communication 2 nd Edition, Thomson Nelson, Toronto, 2006, p.213 Slack, Jennifer Darryl. “The Theory and Method of Articulation in Cultural Studies,” Stuart Hall: Critical Dialogues in Cultural Studies, eds, D. Morley and K.H. Chen, London: Routledge, 1996, pp. 112-127 Spicer, Andre and Peter Fleming. “Working at a Cynical Distance: Implications for Power, Subjectivity and Resistance,” Organization, Vol 10, No 1, 2003, pp.157-179 Stockwell, S and Muir, A. “The Military-Entertainment Complex: A New Facet of Information Warfare,” Fiberculture Journal, Issue 1, 2003, Straw, Will. “Canadian Dreams & American Control: The Political Economy of the Canadian Film Industry,” (Book Review), Canadian Journal of Communication, Vol.18, No.1, 1993. Studies in Documentary Film, Volume 1, Number 1, Intellect Ltd (Publishers), 2007 Taylor, Barbara. "Films of Change," in Australia Lumiere, (September), 1973, accessed from the NFB archives: DVD disc on Challenge for Change. Accessed from the Challenge for Change Resource DVD, obtained from the NFB in Montreal, QC, May 2007 145
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The Spaces Between Grassroots Docum
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iv ACKNOWLEDGEMENTS This thesis wou
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CHAPTER I HOT DOCUMENTARIES IN COOL
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p.167) Yet what brings Wintonick an
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Complimenting the celebration of ex
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somewhere. Documentaries make up a
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ealm of the marginalized, and furth
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short, there is a clear and urgent
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discussion and treats them as unnat
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content” (Ibid, p.3) reminiscent
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examines and exposes these phenomen
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some years working as an activist a
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grassroots distribution and exhibit
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the discursive and physical multipl
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attention in some areas, such as te
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writes: “The strongest barrier to
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its heyday 4 . Stuart Hall, Richard
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large multinational corporations wh
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it is a complex process of negotiat
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globally harmonized by a populist c
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(counterpublics) - such is the way
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She is concerned with the counter-h
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operating with an assumption that t
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film through the public sphere.”
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commercial exhibition sites, and fu
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adicalizing opposition or counterpo
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screenings can provide opportunity
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authors have chosen to survey the g
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demonstrative examples of the acade
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conflict(s) as a core of contestati
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consumer-over-citizen modeled (Mouf
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CHAPTER III - HISTORICAL CONTEXT -
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vis the ‘work’ of politicians,
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These authors are introducing the t
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articulations that illustrate the i
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indexes is a revealing exercise, in
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the lens of inequity, where cultura
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of the 20 th Century, was the agent
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As mentioned, d/e has been at the h
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the urban counterpart to the film c
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artist-driven and dedicates itself
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spaces and practices that this thes
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formations (in Dorland’s case) or
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irrelevancy. The social movements s
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in communities for citizen’s acti
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for CFC works was remarkably relaxe
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of documentary - on the oppression
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scholar concerned with progressive
Page 97 and 98: film industry, while texts that beg
Page 99 and 100: Montreal-based non-profit übercult
Page 101 and 102: cinemas, where managers and program
Page 103 and 104: journalist still stationed in Haiti
Page 105 and 106: You are on Indian Land and Mike Mit
Page 107 and 108: Achbar settled down on to the grass
Page 109 and 110: the report continues, the authors a
Page 111 and 112: of grassroots I think of an organiz
Page 113 and 114: spaces through grassroots practices
Page 115 and 116: Haynes quickly realized there was a
Page 117 and 118: documentaries in Canada. Haynes add
Page 119 and 120: people experience the screenings, a
Page 121 and 122: like Charlottetown, PEI. The initia
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Page 125 and 126: community members who make up the K
Page 127 and 128: That said, AMC is paying more atten
Page 129 and 130: example, Achbar relates to me that
Page 131 and 132: consumers. What I have argued in th
Page 133 and 134: dominant veneers in culture, so tha
Page 135 and 136: that build counterpublics with the
Page 137 and 138: Nos voisons les hommes (USA - Over
Page 139 and 140: APPENDIX B Sample Interview Questio
Page 141 and 142: I HAVE CAREFULLY STUDIED THE ABOVE
Page 143 and 144: Beetham, David. Democracy: A Beginn
Page 145 and 146: Gramsci, Antonio. Selections from C
Page 147: Magder, Ted. Canada’s Hollywood:
Page 151 and 152: Yudice, George. “The Privatizatio
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