18.12.2012 Views

The Spaces Between Grassroots Documentary ... - Ezra Winton

The Spaces Between Grassroots Documentary ... - Ezra Winton

The Spaces Between Grassroots Documentary ... - Ezra Winton

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Zimmermann is interested in the piercing potential of the apex, and sets the tone<br />

for documentary as a combative force in the following passage from her aforementioned<br />

book: “Documentaries repudiate the fictions of the nation with the real, the document, the<br />

historical, the particular, and it is these negations and refusals that provoke the offensives<br />

to close down all public cultures.” (2000, p.15) And while her argumentation tends<br />

toward the type of binaries that Mouffe seeks to overcome, Zimmermann invigorates the<br />

documentary genre by treating it as a force with which to combat cultural hegemony,<br />

either as the films themselves, or in the case of this inquiry, as practices around<br />

dissemination and public viewing.<br />

While her metaphorical and bombastic language may be difficult for the so-called<br />

non-converted to accept, there is a war of sorts that exists over the public spaces in<br />

advanced capitalist societies. She writes: “It is a war about whether public spaces will<br />

exist; whether they will be zones of fantasy projections for the transnationals, or zones of<br />

contestation, insurgency, and community with access to the means of production and<br />

distribution.” (Ibid, p. 14) Zimmermann offers two alternatives, but in this inquiry I argue<br />

that there are in fact multiple, overlapping, interlocking positions in the “war.” Three<br />

have been identified by Rodriguez and company, and are used to complicate<br />

Zimmermann’s notion of the battleground. That said, she is describing an insurrection<br />

over public space, and in fact, the act of creating counterpublics and counter-hegemonies.<br />

Following this, Zimmermann does at times harmonize with Mouffe, as in the following<br />

passage, pitting homogenous liberalism against heterogeneous collectivism (community):<br />

This is a war over a discursive territory, a war over how the public spaces<br />

of the nation are defined and mapped, a war between the faux<br />

homogeneity of corporatist multiculturalism that absorbs and vaporizes<br />

difference and a radical heterogeneity that positions difference(s) and<br />

54

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!