Infinity Ground : Thailand and Taiwan Contemporary Architecture
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Residence<br />
Prachachuen<br />
Duangrit Bunnag’s take on the modern interpretation<br />
of tradition is a beguiling arrangement<br />
of six trapezoidal concrete pavilions, orientated<br />
in a north-south direction, on a wooden deck<br />
around a glittering blue swimming pool. The six<br />
blocks house a parent’s pavilion consisting of<br />
a bedroom/living room, bathroom <strong>and</strong> a closet;<br />
four pavilions of their daughters <strong>and</strong> sons, each<br />
with a bedroom, living room <strong>and</strong> bathroom of<br />
varying complexity <strong>and</strong> proportions, for the<br />
owner’s four offspring who enjoy independent<br />
living; <strong>and</strong> the sixth pavilion, that is a family<br />
lounge overlooking an amphitheatre.<br />
The deck extends over a podium that includes<br />
a huge entrance hall/ art gallery, a guest<br />
bedroom, living rooms, a formal dining room<br />
<strong>and</strong> a smaller family dining space, a library,<br />
one sons’ music room, <strong>and</strong> a home theatre;<br />
all opening to peripheral ground level decks<br />
<strong>and</strong> a basketball half-court. It is a large house<br />
in the Thai tradition of multi- generational<br />
living <strong>and</strong> filial piety.<br />
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