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Infinity Ground : Thailand and Taiwan Contemporary Architecture

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Residence<br />

Prachachuen<br />

Duangrit Bunnag’s take on the modern interpretation<br />

of tradition is a beguiling arrangement<br />

of six trapezoidal concrete pavilions, orientated<br />

in a north-south direction, on a wooden deck<br />

around a glittering blue swimming pool. The six<br />

blocks house a parent’s pavilion consisting of<br />

a bedroom/living room, bathroom <strong>and</strong> a closet;<br />

four pavilions of their daughters <strong>and</strong> sons, each<br />

with a bedroom, living room <strong>and</strong> bathroom of<br />

varying complexity <strong>and</strong> proportions, for the<br />

owner’s four offspring who enjoy independent<br />

living; <strong>and</strong> the sixth pavilion, that is a family<br />

lounge overlooking an amphitheatre.<br />

The deck extends over a podium that includes<br />

a huge entrance hall/ art gallery, a guest<br />

bedroom, living rooms, a formal dining room<br />

<strong>and</strong> a smaller family dining space, a library,<br />

one sons’ music room, <strong>and</strong> a home theatre;<br />

all opening to peripheral ground level decks<br />

<strong>and</strong> a basketball half-court. It is a large house<br />

in the Thai tradition of multi- generational<br />

living <strong>and</strong> filial piety.<br />

57

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