Infinity Ground : Thailand and Taiwan Contemporary Architecture

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Ground Exchanges The space is like trees scattered randomly, and the light and monsoon make the building’s skin have a unique effect. Furthermore, Behet Bondzio Lin Architekten’s Eternal Hill Columbarium (2022) and House of Roofs (2016), the designs responding to Taiwan’s tropical and rainy climate, also show the sacred senses of the ground. Third, in Duangrit Bunnag Architect Limited’s The Glass Temple (2020) and Residence Prachachuen (2020), the architecture endows the site with ceremonial and eternal features, combining with the surrounding environment to strengthen the sense of the infinite scale of the ground. Finally, in MAYU architects’ Pingtung Public Library (2020) and Kaohsiung American School Athletic Complex (2016), the clean geometry combined with delicately designed structures made the architecture a new 6
interface for humans and the environment. Among these four architecture firms’ works, Ground Exchanges not only presents the diversity of architecture and land, but its projects also show the way of future living directions: togetherness, ritual, native, and porosity. In the second chapter “Feeling Grounds”, the architect takes the environment as a design solution and combines materials, craftsmanship, and tectonics to present a multi-dimensional sense of ground space. First of all, in Arsomsilp Community and Environment Architect’s Puey Ungphakorn Centenary Hall (2019) and Tha Chalom Sky Boat Library (2022), the building continues the landscape surface and combines functional attributes to form a micro-ecological system that is harmonious with the ground, and the placed space effectively activates the original environmental interface and evokes the unique value of the place. Second, in Ambi Studio’s Hushan Reservoir Archaeological Exhibition Hall (2023) and Yuhsiu Museum of Art (2015), the building conforms to the topography to provide visitors with an unusual viewing path. In the detour circulation, the materials and the environment create an impressive scene. Then, The Commons Thonglor (2016) and Sala Bang Pa-In (2021) by the Department of ARCHITECTURE combined meticulous architectural craftmanship with floating and elevated forms to create more “ground gray spaces” to flow the indoor-outdoor interface, and they also reflected the multifunctional “Tai toon” of traditional Thai houses. Fourth, in Atelier Or’s Sparkling Market (2021) and Pavilion for Hsinchu Bus Station Plaza (2018), the small and light structural columns release the heavy visual constraints of typical buildings so that the internal and external spaces can be integrated. Among these four architecture firms’ works, Feeling Grounds endows the architecture with empathy for nature. The project not only shows the building as an interface between humans and the land but also provides reflections on the environment: extra-ordinary, nostalgic, vernacular, and boundaryless. 7
Page 1: Department of ARCHITECTURE Infinity
Page 4 and 5: Infinity Ground Thailand and Taiwan
Page 6 and 7: Contents Preface 05 Ground 26 Excha
Page 10 and 11: Feeling Grounds In addition, the ex
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Page 14 and 15: House of Roofs Behet Bondzio Lin Ar
Page 16 and 17: Residence Prachachuen Duangrit Bunn
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happens through discussion and conv
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in the site, the abandoned water to
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to Taiwan’s high humidity and hig
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The surrounding alley extends spont
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mask off the differences among the
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The main gathering space of the res
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Photo Credits Ground Exchanges Arch
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Infinity Ground Thailand and Taiwan
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Infinity Ground : Thailand and Taiwan Contemporary Architecture

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