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12<br />

LONDON<br />

Lot 41<br />

41. Photographs.- Co l l e C t i o n o f p h o t o g r a p h s, including: George<br />

Henry Strutt (cotton manufacturer and philanthropist, 1826-95) &<br />

his son, George Herbert Strutt (cotton mill owner and philanthropist,<br />

1854-1928) and family, of Belper, Derbyshire; the Bridson family<br />

(Greta Bridson), Lily Severn (relation of John Ruskin), Beyers<br />

Wood House, Windermere, North West Frontier, New Zealand<br />

(North Island), Scotland (Culloden Ballater etc.), the Isle of Wight<br />

(the Needles etc.), England (Bodmin Moor, Chichester, Glastonbury<br />

etc), Wales (Conwy Castle and Bridge), the Normandy invasion,<br />

family portraits etc. numerous photographs, some in albums, many<br />

loose, v.s., v.d., 1861-1944 (lge qty). £300 - £400<br />

Lot 43<br />

Lot 42<br />

42. Swinburne (Algernon Charles, poet and literary critic, 1837-<br />

1909) au t o g r a p h le t t e r s i g n e d to to h i s s i s t e r al i C e, “my d e a r e s t<br />

al ly ”, 4pp., 8vo, Tintagel, 26th October [1864], where he has just<br />

finished writing Atlanta, containing a lyrical description of his<br />

surroundings, “... the two or three days that I have got out this week<br />

I have come upon the most delicious clefts & coves... between the<br />

capes & headlands the small narrowing bays heaved without room<br />

for a wave to break, our broad back of green with wide shifting<br />

spaces esplashed of level foam thrown all about it & clear sunlight<br />

overhead & violent wind running up chines & gullies of rock, &<br />

the grass waving & blowing over the edge of the cliff... you stand<br />

out on a headland with deep sea in front & to right & to left &<br />

nothing before you but as it were the hidden end of a green field”,<br />

explaining that he is “still quite disabled & closely confined & very<br />

worse still more dull”, having sustained an injury to his foot, but had<br />

the winter not set in he would stay and enjoy the sea air rather than<br />

return to London, “as I am doubtless a wrecked pig in appearance &<br />

reality”, and regretting having imposed upon and delayed his host<br />

and companion, the painter J.W. Inchbold, folds, browned.<br />

£1,000 - £1,200<br />

*** “... in August [1864], Swinburne joined his friend John William<br />

Inchbold, the Leeds-born painter, in Tintagel, north Cornwall,<br />

until November. While in Cornwall Swinburne finished Atlanta in<br />

Calydon and wrote an elegy for Landor when news reached him of<br />

Landor’s death that September.” - Oxford DNB.<br />

Only one letter from Swinburne’s stay in Tintagel in 1864 is printed by<br />

Cecil Y. Lang, The Swinburne Letters, vol. I, 1959 (to Mary Gordon).<br />

43. Palmer (Samuel, landscape painter and writer, 1805-81)<br />

au t o g r a p h le t t e r s i g n e d to le o n a r d ro w e va l p y, 4pp., 8vo,<br />

Furze Hill House, Red Hill, 11th December 1866, expressing great<br />

pleasure that Valpy has perceived what he is striving for in a picture,<br />

“it always makes a painter purr to find that a critic whose judgment<br />

he esteems has detected in his picture the latent motive, and if you<br />

felt that those weather beaten stones looked ‘legendary’ then I<br />

feel rewarded for much study spent in aiming at it”, responding to<br />

Valpy’s enquiry about a drawing of his of Tintagel, “I fancied when<br />

it went away that it was one of my best drawings but they say people<br />

are no judge of their own drawings”, discussing Milton’s supposed<br />

preference for Paradise Regained to Paradise Lost, mentioning the<br />

death of Toynbee and giving news of his wife’s health, remains of<br />

former hinge attached, folds. £800 - £1,200<br />

*** Leonard Valpy (1825-84), Ruskin’s solicitor and art collector.<br />

www.bloomsburyauctions.com tel. +44 (0) 20 7495 9494

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