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1 The Director of Photography – an overview

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106 Practical Cinematography<br />

Figure 10.3 My own collection <strong>of</strong><br />

meters<br />

as you don’t need to choose between a meter with a still photography<br />

or movie type scale, the new meter does both, <strong>an</strong>d it also has the added<br />

improvement <strong>of</strong> the spot meter reading showing in the viewfinder.<br />

Remarkably, the optical path for the spot meter in these meters suffers<br />

from no discernible flare, the b<strong>an</strong>e <strong>of</strong> most spot meters, this despite<br />

having a four-to-one zoom facility built in.<br />

Figure 10.3 shows my own collection <strong>of</strong> meters, which are all in regular<br />

use on a daily basis.<strong>The</strong>y are, from bottom left going clockwise, my<br />

Cinemeter II, the Seconic 508 C Zoom Master, the Pentax Digital<br />

Spotmeter <strong>an</strong>d, though not strictly <strong>an</strong> exposure meter, my Minolta<br />

Colour Temperature Meter.

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