1 The Director of Photography – an overview
1 The Director of Photography – an overview
1 The Director of Photography – an overview
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152 Practical Cinematography<br />
Figure 17.2 A lens test chart<br />
Focus tests at various dist<strong>an</strong>ces<br />
Focus testing is time-consuming <strong>an</strong>d must be done with great care. It<br />
usually involves covering a wall <strong>of</strong> the test room with lens test charts,<br />
such as that shown in Figure 17.2.This is so that the entire frame c<strong>an</strong> be<br />
filled with charts. An alternative, but more time-consuming, method is<br />
to relocate a chart at the top <strong>an</strong>d bottom edges <strong>of</strong> the frame, both sides<br />
<strong>an</strong>d all four corners. This is in addition to keeping one at the centre.<br />
Mercifully, most hire houses have a wall <strong>of</strong> charts, or something similar,<br />
already set up, but moving charts around is cheaper if you are having<br />
to test independently.<br />
As previously stated, a lens test chart c<strong>an</strong> only be used for measurement<br />
<strong>of</strong> resolution when it exactly fills the frame. With focus testing,<br />
we are not looking for a measurement but are checking if the lens<br />
focuses at the dist<strong>an</strong>ce indicated on the lens barrel or, if it doesn’t,<br />
making a new mark at that focus ourselves; secondly, we are checking<br />
if the lens maintains the focus at the edges <strong>of</strong> the frame when it has<br />
been focused at the middle <strong>of</strong> the frame.<br />
For focus testing you are only using lens test charts as very easily<br />
readable images from which to tell if the lens is focusing properly.<br />
Each focus puller will have a preferred set <strong>of</strong> dist<strong>an</strong>ces at which they<br />
like to test <strong>an</strong>d mark up the lenses. <strong>The</strong>y may not always use the same<br />
ones. For example, if you are about to shoot <strong>an</strong> intimate script, <strong>an</strong>d are<br />
on location, then the nearer focus points are more import<strong>an</strong>t, since that<br />
is where your cast are going to be most <strong>of</strong> the time. On the other h<strong>an</strong>d,<br />
if you are going to shoot a western, you are going to spend some <strong>of</strong> the<br />
time shooting close-ups but a lot <strong>of</strong> the shoot will be nearer infinity.<br />
M<strong>an</strong>y focus pullers simply ab<strong>an</strong>don the dist<strong>an</strong>ces engraved on the<br />
lens <strong>an</strong>d mark up their own with thin tape <strong>an</strong>d a fine, waterpro<strong>of</strong><br />
marker pen.<br />
<strong>The</strong> technique is to set up the camera exactly at right <strong>an</strong>gles to the<br />
wall <strong>of</strong> test images <strong>an</strong>d perfectly central to them. Every lens must then<br />
be checked, through the viewfinder, at every dist<strong>an</strong>ce the focus puller<br />
requires.This does take a long time, but c<strong>an</strong> save much grief on the set<br />
during shooting. Some film must be exposed with each lens at each