12.01.2013 Views

1 The Director of Photography – an overview

1 The Director of Photography – an overview

1 The Director of Photography – an overview

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

152 Practical Cinematography<br />

Figure 17.2 A lens test chart<br />

Focus tests at various dist<strong>an</strong>ces<br />

Focus testing is time-consuming <strong>an</strong>d must be done with great care. It<br />

usually involves covering a wall <strong>of</strong> the test room with lens test charts,<br />

such as that shown in Figure 17.2.This is so that the entire frame c<strong>an</strong> be<br />

filled with charts. An alternative, but more time-consuming, method is<br />

to relocate a chart at the top <strong>an</strong>d bottom edges <strong>of</strong> the frame, both sides<br />

<strong>an</strong>d all four corners. This is in addition to keeping one at the centre.<br />

Mercifully, most hire houses have a wall <strong>of</strong> charts, or something similar,<br />

already set up, but moving charts around is cheaper if you are having<br />

to test independently.<br />

As previously stated, a lens test chart c<strong>an</strong> only be used for measurement<br />

<strong>of</strong> resolution when it exactly fills the frame. With focus testing,<br />

we are not looking for a measurement but are checking if the lens<br />

focuses at the dist<strong>an</strong>ce indicated on the lens barrel or, if it doesn’t,<br />

making a new mark at that focus ourselves; secondly, we are checking<br />

if the lens maintains the focus at the edges <strong>of</strong> the frame when it has<br />

been focused at the middle <strong>of</strong> the frame.<br />

For focus testing you are only using lens test charts as very easily<br />

readable images from which to tell if the lens is focusing properly.<br />

Each focus puller will have a preferred set <strong>of</strong> dist<strong>an</strong>ces at which they<br />

like to test <strong>an</strong>d mark up the lenses. <strong>The</strong>y may not always use the same<br />

ones. For example, if you are about to shoot <strong>an</strong> intimate script, <strong>an</strong>d are<br />

on location, then the nearer focus points are more import<strong>an</strong>t, since that<br />

is where your cast are going to be most <strong>of</strong> the time. On the other h<strong>an</strong>d,<br />

if you are going to shoot a western, you are going to spend some <strong>of</strong> the<br />

time shooting close-ups but a lot <strong>of</strong> the shoot will be nearer infinity.<br />

M<strong>an</strong>y focus pullers simply ab<strong>an</strong>don the dist<strong>an</strong>ces engraved on the<br />

lens <strong>an</strong>d mark up their own with thin tape <strong>an</strong>d a fine, waterpro<strong>of</strong><br />

marker pen.<br />

<strong>The</strong> technique is to set up the camera exactly at right <strong>an</strong>gles to the<br />

wall <strong>of</strong> test images <strong>an</strong>d perfectly central to them. Every lens must then<br />

be checked, through the viewfinder, at every dist<strong>an</strong>ce the focus puller<br />

requires.This does take a long time, but c<strong>an</strong> save much grief on the set<br />

during shooting. Some film must be exposed with each lens at each

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!