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1 The Director of Photography – an overview

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146<br />

17<br />

Testing<br />

Why so much checking?<br />

<strong>The</strong>re are two reasons for meticulous preparation <strong>of</strong> all the equipment<br />

<strong>an</strong>d stores you will need for a shoot.<br />

<strong>The</strong> first is clearly your own pr<strong>of</strong>essional pride <strong>an</strong>d the need to pack<br />

equipment in such a way that the crew c<strong>an</strong> find <strong>an</strong>y piece <strong>of</strong> equipment<br />

quickly <strong>an</strong>d efficiently, even in the dark <strong>of</strong> a night shoot. Also, it is<br />

essential that all the equipment starts the job in the finest possible<br />

condition.<br />

<strong>The</strong> second reason, <strong>an</strong>d indeed the reason for some <strong>of</strong> the more<br />

obscure test procedures, is that the production comp<strong>an</strong>y probably raised<br />

a completion bond to insure the picture gets finished <strong>an</strong>d the bond comp<strong>an</strong>y<br />

will require hard evidence that all was well before you started.<br />

A completion bond is a form <strong>of</strong> insur<strong>an</strong>ce taken out by the production<br />

comp<strong>an</strong>y in order that they, the production comp<strong>an</strong>y, will be reimbursed<br />

<strong>an</strong>y expenses incurred due to unforeseen circumst<strong>an</strong>ces. For<br />

inst<strong>an</strong>ce, <strong>an</strong> artist might become ill during production <strong>an</strong>d delay shooting<br />

for several days. <strong>The</strong> completion bond comp<strong>an</strong>y will then be<br />

responsible for all additional expenses incurred.<br />

Another example might be several rolls <strong>of</strong> film being found to be<br />

scratched after development. <strong>The</strong> bond comp<strong>an</strong>y might have to pay<br />

for a reshoot. It is clearly in everyone’s interest to be able to prove that<br />

none <strong>of</strong> the camera bodies nor <strong>an</strong>y <strong>of</strong> the camera magazines were<br />

scratched when first loaded onto the camera car at the beginning <strong>of</strong><br />

shooting.<br />

For these reasons everything, but everything, must be checked <strong>an</strong>d,<br />

where possible, physical pro<strong>of</strong> <strong>of</strong> a successful check must be available.<br />

Who checks?<br />

<strong>The</strong> focus puller is normally in charge <strong>of</strong> the preparation <strong>an</strong>d will<br />

almost always be assisted throughout by the clapper loader. This is<br />

sensible, for during the shoot the focus puller will be responsible for<br />

the day-to-day running <strong>of</strong> the camera <strong>an</strong>d the loader will be expected to<br />

know exactly where every single piece <strong>of</strong> equipment is at <strong>an</strong>y given time.

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