1 The Director of Photography – an overview
1 The Director of Photography – an overview
1 The Director of Photography – an overview
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146<br />
17<br />
Testing<br />
Why so much checking?<br />
<strong>The</strong>re are two reasons for meticulous preparation <strong>of</strong> all the equipment<br />
<strong>an</strong>d stores you will need for a shoot.<br />
<strong>The</strong> first is clearly your own pr<strong>of</strong>essional pride <strong>an</strong>d the need to pack<br />
equipment in such a way that the crew c<strong>an</strong> find <strong>an</strong>y piece <strong>of</strong> equipment<br />
quickly <strong>an</strong>d efficiently, even in the dark <strong>of</strong> a night shoot. Also, it is<br />
essential that all the equipment starts the job in the finest possible<br />
condition.<br />
<strong>The</strong> second reason, <strong>an</strong>d indeed the reason for some <strong>of</strong> the more<br />
obscure test procedures, is that the production comp<strong>an</strong>y probably raised<br />
a completion bond to insure the picture gets finished <strong>an</strong>d the bond comp<strong>an</strong>y<br />
will require hard evidence that all was well before you started.<br />
A completion bond is a form <strong>of</strong> insur<strong>an</strong>ce taken out by the production<br />
comp<strong>an</strong>y in order that they, the production comp<strong>an</strong>y, will be reimbursed<br />
<strong>an</strong>y expenses incurred due to unforeseen circumst<strong>an</strong>ces. For<br />
inst<strong>an</strong>ce, <strong>an</strong> artist might become ill during production <strong>an</strong>d delay shooting<br />
for several days. <strong>The</strong> completion bond comp<strong>an</strong>y will then be<br />
responsible for all additional expenses incurred.<br />
Another example might be several rolls <strong>of</strong> film being found to be<br />
scratched after development. <strong>The</strong> bond comp<strong>an</strong>y might have to pay<br />
for a reshoot. It is clearly in everyone’s interest to be able to prove that<br />
none <strong>of</strong> the camera bodies nor <strong>an</strong>y <strong>of</strong> the camera magazines were<br />
scratched when first loaded onto the camera car at the beginning <strong>of</strong><br />
shooting.<br />
For these reasons everything, but everything, must be checked <strong>an</strong>d,<br />
where possible, physical pro<strong>of</strong> <strong>of</strong> a successful check must be available.<br />
Who checks?<br />
<strong>The</strong> focus puller is normally in charge <strong>of</strong> the preparation <strong>an</strong>d will<br />
almost always be assisted throughout by the clapper loader. This is<br />
sensible, for during the shoot the focus puller will be responsible for<br />
the day-to-day running <strong>of</strong> the camera <strong>an</strong>d the loader will be expected to<br />
know exactly where every single piece <strong>of</strong> equipment is at <strong>an</strong>y given time.