1 The Director of Photography – an overview
1 The Director of Photography – an overview
1 The Director of Photography – an overview
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44 Practical Cinematography<br />
A B C D E F G H<br />
Shutter<br />
OPEN<br />
Figure 4.6 <strong>The</strong> claw <strong>an</strong>d register<br />
pin cycle<br />
Shutter<br />
CLOSED<br />
Shutter<br />
CLOSED<br />
Shutter<br />
CLOSED<br />
Shutter<br />
OPEN<br />
Shutter<br />
OPEN<br />
Shutter<br />
OPEN<br />
Shutter<br />
CLOSED<br />
as the cameras lens. This is known as parallax error, as the optical axis<br />
<strong>of</strong> the taking lens <strong>an</strong>d that <strong>of</strong> the viewfinder will point in the same<br />
direction but will run parallel to each other. This problem was first<br />
overcome when a Germ<strong>an</strong> comp<strong>an</strong>y, Arnold & Richter, introduced<br />
their Arriflex 35 mirror reflex camera to the world at the 1937 Leipzig<br />
Fair. This camera totally revolutionized the way film cameras were<br />
designed from then on.<br />
<strong>The</strong> Arriflex did not have its shutter running flat to, <strong>an</strong>d in the same<br />
pl<strong>an</strong>e as, the film gate but had it <strong>an</strong>gled at 45° to the gate <strong>an</strong>d the aperture.<br />
Furthermore, the front surface <strong>of</strong> the shutter had a mirrored surface,<br />
so that when the shutter was closed the light that was blocked from<br />
the aperture was now sent <strong>of</strong>f at a right <strong>an</strong>gle. This image was then displayed<br />
on a ground glass whose dist<strong>an</strong>ce from the lens, via the mirrored<br />
shutter, was exactly the same as the film aperture.A second fixed mirror,<br />
or prism, then sent the image on the ground glass to the viewfinder<br />
optics.Thus, the image in the viewfinder was identical to that on the film,<br />
as they shared the light from the lens on <strong>an</strong> alternating basis.<br />
<strong>The</strong> original Arriflex was org<strong>an</strong>ized so that the mirrored shutter<br />
sent the light horizontally to the viewfinder. Today, cameras divide<br />
between those that send it horizontally <strong>an</strong>d those that have the<br />
shutter beneath the lens <strong>an</strong>d send it upwards to the viewfinder.<br />
Interestingly, Arriflex have made cameras with both configurations.<br />
Figure 4.7 shows the arr<strong>an</strong>gement <strong>of</strong> a reflex viewfinder where the<br />
light is sent upwards.