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1 The Director of Photography – an overview

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Using the 18 per cent grey card 119<br />

so wished, automatically grade the following scenes to it. At the same<br />

time, the machinery will log the grading in points very similar to<br />

printer lights <strong>an</strong>d c<strong>an</strong> be asked to print this report to either a floppy<br />

disk or a hard-copy printer. <strong>The</strong> cinematographer c<strong>an</strong> then receive a<br />

report from a direct negative-to-tape tr<strong>an</strong>sfer, which is just as informative<br />

as they used to get from the film grader.<br />

I have gone over to using the Kodak 18 per cent grey card, whether<br />

the laboratory I happen to be using has the electronics or not, as it is<br />

by far the most accurate <strong>an</strong>d consistent card I have come across.<br />

If you acquire a Kodak card it comes with very good instructions on<br />

the back so you c<strong>an</strong> refresh your mind as to how to use it.<br />

Conclusions<br />

1 You c<strong>an</strong> use <strong>an</strong> 18 per cent grey card to communicate your grading<br />

wishes to the film laboratory.<br />

2 You c<strong>an</strong> control both the density <strong>an</strong>d colour <strong>of</strong> the print or tape<br />

tr<strong>an</strong>sfer by using the card.<br />

3 You must state your wish to grade to the grey card on the laboratory<br />

report sheet.<br />

4 Talk to your laboratory before you start shooting <strong>an</strong>d tell them<br />

what you intend to do.<br />

5 It is a good idea to put a message on the card itself to reinforce the<br />

message <strong>–</strong> your laboratory will appreciate this.

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