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1 The Director of Photography – an overview

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<strong>The</strong> DP’s preparation<br />

Research<br />

M<strong>an</strong>y pictures require specific, detailed research, particularly if they<br />

are period pieces, or if the director asks for a certain style or look.With<br />

the run-up <strong>an</strong>d preparation times currently being scheduled, however,<br />

there is <strong>of</strong>ten too little time to research your subject properly. It is therefore<br />

useful to accumulate a store <strong>of</strong> reference material or to have a<br />

good idea where such material c<strong>an</strong> be found. This c<strong>an</strong> help not just<br />

with preparing for a shoot, but also with <strong>an</strong> initial interview for a picture.<br />

Discussing a script you only received 24 hours earlier with a<br />

director who has been living with it for months c<strong>an</strong> be a lot easier if<br />

you have <strong>an</strong> underst<strong>an</strong>ding <strong>of</strong> the script’s context <strong>an</strong>d c<strong>an</strong> knowledgeably<br />

refer to images that relate to that script.<br />

Regular visits to second-h<strong>an</strong>d bookstores c<strong>an</strong> provide a useful<br />

library <strong>of</strong> old picture books at very little cost. Several years before I<br />

needed them, I acquired a marvellous set <strong>of</strong> books covering the years<br />

<strong>of</strong> the Second World War almost entirely comprising <strong>of</strong> photographs<br />

taken at the time with minimal captions; there is a book for each year.<br />

Some five or so years later, I was asked to shoot a picture which<br />

opened with men in a train returning from the Dieppe raid <strong>of</strong> 1942<br />

with flashbacks <strong>of</strong> the men being rescued from the waters along the<br />

French coast. My set <strong>of</strong> books provided pictures <strong>of</strong> men actually in oilcovered<br />

water being picked out <strong>of</strong> a life raft after that raid, a picture <strong>of</strong><br />

a wom<strong>an</strong> waiting for a train containing survivors <strong>of</strong> that raid <strong>an</strong>d one<br />

<strong>of</strong> people using <strong>an</strong> underground station as a bomb shelter. All these<br />

scenes were scenes in the script I had been <strong>of</strong>fered <strong>an</strong>d I was able to<br />

base my interpretation <strong>of</strong> the script on them.<br />

While it is the DP’s job to interpret the script <strong>an</strong>d the director’s<br />

vision <strong>of</strong> that script, it is <strong>an</strong> immense help if you c<strong>an</strong> base your imagined<br />

pictures on reality <strong>–</strong> it brings a greater believability to the finished film.<br />

Old photographic books are useful (as well as quite fun) to collect, as<br />

are books <strong>of</strong> fashion photographs. With old photographs it is <strong>of</strong>ten as<br />

useful to imagine why the picture is shot <strong>an</strong>d styled in a certain way,<br />

as this puts one’s thinking into the mind <strong>of</strong> the original photographer<br />

<strong>an</strong>d you c<strong>an</strong> begin to feel more <strong>of</strong> the mood <strong>of</strong> the times.<br />

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