1 The Director of Photography – an overview
1 The Director of Photography – an overview
1 The Director of Photography – an overview
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<strong>The</strong> DP’s preparation<br />
Research<br />
M<strong>an</strong>y pictures require specific, detailed research, particularly if they<br />
are period pieces, or if the director asks for a certain style or look.With<br />
the run-up <strong>an</strong>d preparation times currently being scheduled, however,<br />
there is <strong>of</strong>ten too little time to research your subject properly. It is therefore<br />
useful to accumulate a store <strong>of</strong> reference material or to have a<br />
good idea where such material c<strong>an</strong> be found. This c<strong>an</strong> help not just<br />
with preparing for a shoot, but also with <strong>an</strong> initial interview for a picture.<br />
Discussing a script you only received 24 hours earlier with a<br />
director who has been living with it for months c<strong>an</strong> be a lot easier if<br />
you have <strong>an</strong> underst<strong>an</strong>ding <strong>of</strong> the script’s context <strong>an</strong>d c<strong>an</strong> knowledgeably<br />
refer to images that relate to that script.<br />
Regular visits to second-h<strong>an</strong>d bookstores c<strong>an</strong> provide a useful<br />
library <strong>of</strong> old picture books at very little cost. Several years before I<br />
needed them, I acquired a marvellous set <strong>of</strong> books covering the years<br />
<strong>of</strong> the Second World War almost entirely comprising <strong>of</strong> photographs<br />
taken at the time with minimal captions; there is a book for each year.<br />
Some five or so years later, I was asked to shoot a picture which<br />
opened with men in a train returning from the Dieppe raid <strong>of</strong> 1942<br />
with flashbacks <strong>of</strong> the men being rescued from the waters along the<br />
French coast. My set <strong>of</strong> books provided pictures <strong>of</strong> men actually in oilcovered<br />
water being picked out <strong>of</strong> a life raft after that raid, a picture <strong>of</strong><br />
a wom<strong>an</strong> waiting for a train containing survivors <strong>of</strong> that raid <strong>an</strong>d one<br />
<strong>of</strong> people using <strong>an</strong> underground station as a bomb shelter. All these<br />
scenes were scenes in the script I had been <strong>of</strong>fered <strong>an</strong>d I was able to<br />
base my interpretation <strong>of</strong> the script on them.<br />
While it is the DP’s job to interpret the script <strong>an</strong>d the director’s<br />
vision <strong>of</strong> that script, it is <strong>an</strong> immense help if you c<strong>an</strong> base your imagined<br />
pictures on reality <strong>–</strong> it brings a greater believability to the finished film.<br />
Old photographic books are useful (as well as quite fun) to collect, as<br />
are books <strong>of</strong> fashion photographs. With old photographs it is <strong>of</strong>ten as<br />
useful to imagine why the picture is shot <strong>an</strong>d styled in a certain way,<br />
as this puts one’s thinking into the mind <strong>of</strong> the original photographer<br />
<strong>an</strong>d you c<strong>an</strong> begin to feel more <strong>of</strong> the mood <strong>of</strong> the times.<br />
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