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1 The Director of Photography – an overview

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Lenses <strong>an</strong>d perspective 175<br />

Figure 19.14 A medium<br />

telephoto lens<br />

Figure 19.15 A long<br />

telephoto lens<br />

much <strong>an</strong> objective or observational shot, very definitely not a subjective<br />

one.<br />

Now let us consider what might happen if we take the camera still<br />

further away <strong>an</strong>d put on a still longer focal length lens. Figure 19.15 is<br />

just this <strong>an</strong>d now, simply by ch<strong>an</strong>ging camera position <strong>an</strong>d focal length<br />

<strong>of</strong> the lens, we are truly emotionally observational in our relationship<br />

with the house <strong>an</strong>d its occup<strong>an</strong>ts. This is observational in the extreme,<br />

almost a surveill<strong>an</strong>ce shot.

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