1 The Director of Photography – an overview
1 The Director of Photography – an overview
1 The Director of Photography – an overview
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<strong>The</strong> motion picture camera 47<br />
Figure 4.10 Typical layout <strong>of</strong> a film<br />
camera<br />
Figure 4.11 <strong>The</strong> layout <strong>of</strong> a film<br />
camera using clip-on magazines<br />
Film camera layout<br />
<strong>The</strong>re are m<strong>an</strong>y individual layouts for a film camera, but Figure 4.10<br />
shows the basic principle <strong>of</strong> most <strong>of</strong> them. Once the film magazine is<br />
fitted to the camera, the loop coming from the camera c<strong>an</strong> be laced<br />
through the camera mech<strong>an</strong>ism. It usually has to pass over a sprocket<br />
wheel, shown as the dotted circle, <strong>an</strong>d is kept in place by lay-on rollers,<br />
shown as the grey circles. Having left the sprocket, the film forms the<br />
film feed loop; it then passes through the film gate, with its associated<br />
aperture <strong>an</strong>d claw mech<strong>an</strong>ism, <strong>an</strong>d so on to the take-up loop, back<br />
over the sprocket, <strong>an</strong>d finally returns to the magazine light trap.<br />
Some cameras employ a quite different layout, where the main<br />
sprocket <strong>an</strong>d the back pressure plate <strong>of</strong> the gate are contained in<br />
every magazine. In this inst<strong>an</strong>ce, the claw mech<strong>an</strong>ism must be in front<br />
<strong>of</strong> the gate. One configuration <strong>of</strong> this layout is shown in Figure 4.11.<br />
During fitting the magazine, shown in the darker grey, slides horizontally<br />
towards the camera body, shown in lighter grey. Clearly, the loop<br />
Feed<br />
Roll<br />
Take up<br />
Roll