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1 The Director of Photography – an overview

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Index 205<br />

Scouting, 8<strong>–</strong>9<br />

Scratch tests, 149<strong>–</strong>50<br />

Seconic combined exposure meter,<br />

105<strong>–</strong>6<br />

Sensitometric curve, 77<strong>–</strong>9<br />

three point image control <strong>an</strong>d,<br />

113<strong>–</strong>14<br />

Sensitometry, 77<strong>–</strong>81<br />

Sepia filters, 129<br />

Set box, 26<br />

70 mm film, 180<strong>–</strong>2<br />

Shadow, 125<strong>–</strong>6<br />

Sharpness, perceived, 50<strong>–</strong>3<br />

Shipping film stock, 75<strong>–</strong>6<br />

Short pitch, 73<br />

Shutter, 40<br />

Shutter speed, 101<strong>–</strong>2<br />

Silver halide, 63, 64, 66<strong>–</strong>8<br />

Sixths, 162<strong>–</strong>3<br />

65 mm film, 180<strong>–</strong>1<br />

Skin tone warmer filter, 129<br />

Spot meters, 104<strong>–</strong>5<br />

Pentax Digital Spotmeter, 104<strong>–</strong>5,<br />

113<br />

Star filters, 131<br />

Steady tests, 147<strong>–</strong>8<br />

Stores, 154<strong>–</strong>6<br />

Subjective shots, 172<strong>–</strong>5<br />

Sunlight, 125<strong>–</strong>6<br />

Super 16 mm format, 138, 167<br />

depth <strong>of</strong> field <strong>an</strong>d, 138<strong>–</strong>9<br />

Super 16 to 35 mm blow-ups,<br />

137<strong>–</strong>8<br />

festival prints <strong>an</strong>d, 197<br />

for television, 185, 189<strong>–</strong>91<br />

16 � 9 television <strong>an</strong>d, 191<strong>–</strong>2<br />

history <strong>of</strong>, 189<strong>–</strong>91<br />

Super 35 format, 182<br />

Swarf, 26<br />

Tape stick, 26<br />

Technical recce, 8<strong>–</strong>9<br />

Technical schedule, 23<br />

Telecine grading, 90<strong>–</strong>1<br />

Telephoto lenses, 54<strong>–</strong>5<br />

Television:<br />

16 � 9 television, 191<strong>–</strong>2<br />

35 mm film depth <strong>of</strong> field, 138<br />

aspect ratios, 183<strong>–</strong>5, 189<strong>–</strong>97<br />

frame rates, 39, 101<br />

framing in several formats, 192<strong>–</strong>4<br />

framing solutions, 194<strong>–</strong>7<br />

high definition (HD), 191, 198<strong>–</strong>9<br />

image control, 114<br />

lighting ratios, 107<strong>–</strong>10<br />

Super 16 mm format, 138, 189<strong>–</strong>92<br />

widescreen television, 138<br />

Testing, 146<strong>–</strong>56<br />

gamma testing, 153<br />

lens testing, 150<strong>–</strong>3<br />

focus tests at various dist<strong>an</strong>ces,<br />

152<strong>–</strong>3<br />

infinity test, 151<br />

resolution test, 151<br />

non-film testing, 153<strong>–</strong>4<br />

reasons for, 146<br />

responsibility for, 146<strong>–</strong>7<br />

stores, 154<strong>–</strong>6<br />

tests involving shooting film,<br />

147<strong>–</strong>50<br />

camera steady tests, 147<strong>–</strong>8<br />

fog tests, 150<br />

frame leader, 148<strong>–</strong>9<br />

scratch tests, 149<strong>–</strong>50<br />

Thirds, rule <strong>of</strong>, 159<strong>–</strong>62<br />

35 mm film:<br />

depth <strong>of</strong> field, when only shown<br />

on television, 138<br />

Super 16 to 35 mm blow-ups,<br />

137<strong>–</strong>8<br />

35 mm frame, 177<br />

Three-perforation pull-down, 178<strong>–</strong>9<br />

Three-point image control, 111<strong>–</strong>14<br />

for television, 114<br />

sensitometric curve <strong>an</strong>d, 113<strong>–</strong>14<br />

Time-keeping, 33<br />

Trainees, 24<strong>–</strong>5<br />

Triplets, 61<br />

Tripod testing, 153<strong>–</strong>4<br />

Tungsten light:<br />

colour correction, 126<br />

colour temperature, 125<br />

Two-perforation pull-down, 179<strong>–</strong>80<br />

Ultra contrast filters, 130<br />

Video assist, 25<br />

Viewfinder, 43<strong>–</strong>4<br />

Viewing glass, 133<strong>–</strong>4<br />

Viewing screens, 45<br />

Vision, persistence <strong>of</strong>, 37<strong>–</strong>8<br />

Weston Master light meter, 103<strong>–</strong>4<br />

Wide-<strong>an</strong>gle lenses, 55<br />

close-ups <strong>an</strong>d, 171<br />

Widescreen format, 178<br />

Widescreen television, 138<br />

Williamson camera mech<strong>an</strong>ism, 41<br />

Wratten filters, 126<strong>–</strong>7, 128<strong>–</strong>9<br />

X-ray radiation, 75<strong>–</strong>6<br />

Zeiss lenses, 54, 55, 57<strong>–</strong>8, 61<br />

Zoom lenses, 55<br />

distortion, 59

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