Duke University 2008-2009 - Office of the Registrar - Duke University
Duke University 2008-2009 - Office of the Registrar - Duke University
Duke University 2008-2009 - Office of the Registrar - Duke University
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for undergraduates. Instructor: Lew. 4 units. C-L: Cell and Molecular Biology 378,<br />
<strong>University</strong> Program in Genetics 378, Biology 378<br />
Music (MUSIC)<br />
Pr<strong>of</strong>essor Jaffe, Chair; Pr<strong>of</strong>essor Bro<strong>the</strong>rs, Director <strong>of</strong> Graduate Studies; Pr<strong>of</strong>essors<br />
Bro<strong>the</strong>rs, Gilliam, Jaffe, Todd; Associate Pr<strong>of</strong>essors Meintjes, Rupprecht, Waeber;<br />
Assistant Pr<strong>of</strong>essors Kelley and McCarthy; Pr<strong>of</strong>essor <strong>of</strong> <strong>the</strong> Practice Parkins<br />
The Department <strong>of</strong> Music <strong>of</strong>fers graduate programs leading to <strong>the</strong> AM and PhD degrees<br />
in composition and musicology, and <strong>the</strong> AM in performance practice. Applicants for<br />
admission to all degree programs will normally have a broad liberal arts background as well<br />
as demonstrable musical competence. Those applying to <strong>the</strong> composition program should<br />
submit samples <strong>of</strong> <strong>the</strong>ir compositions with <strong>the</strong>ir applications. For <strong>the</strong> musicology program,<br />
applicants should include samples <strong>of</strong> <strong>the</strong>ir writing on musical topics. Upon acceptance to <strong>the</strong><br />
university, by nomination <strong>of</strong> <strong>the</strong> graduate faculty in music, musicology students may also be<br />
admitted to <strong>the</strong> Program in Medieval and Renaissance Studies (see section on Medieval and<br />
Renaissance Studies in this bulletin). For <strong>the</strong> performance practice program, <strong>the</strong> department<br />
encourages applications from advanced musicians who have demonstrated an ability to<br />
conduct research about <strong>the</strong> performance <strong>of</strong> music in historical contexts. Applicants in<br />
performance practice should submit a recording <strong>of</strong> <strong>the</strong>ir work in <strong>the</strong> field as well as a sample<br />
<strong>of</strong> <strong>the</strong>ir writing.<br />
For <strong>the</strong> PhD degree in composition 17 courses (51 units) are required; no more than four<br />
courses (12 units) may be accepted for transfer from ano<strong>the</strong>r institution. Two courses may<br />
be taken in o<strong>the</strong>r departments. Students are expected to pass a qualifying examination<br />
(usually in <strong>the</strong> second year) and a preliminary examination (after completing course work,<br />
usually in <strong>the</strong> third year); before taking <strong>the</strong> preliminary examination students are asked to<br />
submit a portfolio <strong>of</strong> compositions. Students in composition must also demonstrate<br />
knowledge <strong>of</strong> one foreign language. The dissertation requirements consist <strong>of</strong> a large-scale<br />
composition and an article <strong>of</strong> publishable quality.<br />
For <strong>the</strong> PhD in musicology 17 courses (51 units) are required; no more than four courses<br />
(12 units) may be accepted for transfer from ano<strong>the</strong>r institution. Three courses may be taken<br />
in o<strong>the</strong>r departments. Students are expected to pass a qualifying examination (usually in <strong>the</strong><br />
second year) and a preliminary examination (after completing course work, usually in <strong>the</strong><br />
third year). In addition, students must demonstrate knowledge <strong>of</strong> two foreign languages.<br />
Within <strong>the</strong> framework <strong>of</strong> <strong>the</strong> musicology degree students may also pursue projects in<br />
ethnomusicology, music <strong>the</strong>ory, or performance practice.<br />
For <strong>the</strong> AM in performance practice 11 courses (33 units) are required. Students are<br />
expected to pass a qualifying examination (usually in <strong>the</strong> second year) and to give a master’s<br />
recital (usually toward <strong>the</strong> end <strong>of</strong> <strong>the</strong> first year). They also must demonstrate knowledge <strong>of</strong><br />
one foreign language.<br />
A more detailed description <strong>of</strong> each degree program is available upon request from <strong>the</strong><br />
director <strong>of</strong> graduate studies.<br />
201. Introduction to Musicology. Methods <strong>of</strong> research on music and its history, including<br />
studies <strong>of</strong> musical and literary sources, iconography, performance practice, ethnomusicology,<br />
and historical analysis, with special attention to <strong>the</strong> interrelationships <strong>of</strong> <strong>the</strong>se<br />
approaches. Instructor: Staff. 3 units.<br />
213. Theories and Notation <strong>of</strong> Contemporary Music. The diverse languages <strong>of</strong><br />
contemporary music and <strong>the</strong>ir roots in <strong>the</strong> early twentieth century, with emphasis on <strong>the</strong><br />
problems and continuity <strong>of</strong> musical language. Recent composers and <strong>the</strong>ir stylistic<br />
progenitors: for example, Ligeti, Bartók, and Berg; Carter, Schoenberg, Ives, and Copland;<br />
Crumb, Messiaen, and Webern; Cage, Varèse, Cowell, and Stockhausen. Instructor: Jaffe,<br />
Lindroth, or Kelley. 3 units.<br />
214S. Introduction To Analysis Of Early Music. Selected areas <strong>of</strong> "pre-tonal" music and<br />
various analytical methodologies that have been developed to understand <strong>the</strong>m. Content<br />
Courses <strong>of</strong> Instruction 220