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From Page to Screen - WRAP: Warwick Research Archive Portal ...

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MacProse Output<br />

Wouldn't some suspicion between a front and these idiots<br />

vaccinate your wing? Those heels started <strong>to</strong> dance. The<br />

vagina of space: so spectacular a legend. To smile cracked.<br />

Will its bus function? He who appeared held computet<strong>to</strong>n]<br />

Sentence Tree<br />

Sentence<br />

->!he<br />

-stwno<br />

->#ForceSi ng<br />

->#ForceThrd<br />

VerbPhrase<br />

IntrVbUnit<br />

->lntrVerb<br />

VerbPhrase<br />

TranVbUnit<br />

-}TransVerb<br />

ObjPhrase<br />

NounPhrase<br />

->Substance<br />

->@.<br />

The window on the right of the above screenshot shows the structural tree of the last<br />

sentence of the output on the left (He who appeared held computation). A s<strong>to</strong>ck of<br />

these sentence trees comes pre-programmed by Hartman as part of the program. It is,<br />

however, possible for users <strong>to</strong> add their own.<br />

But what is the use of an potentially infinite output of sentences, which, while<br />

grammatically correct still are fundamentally non-sensical and random? Hartman was<br />

rightly reminded ofBorges' Library ofBabel, in which every possible letter combination is<br />

kept in an infinite number ofvolumes in infinite library labyrinth. He describes himself<br />

spending days on his way <strong>to</strong> work "poring over fanfolded piles of computer paper,<br />

searching in vain for oracular truths "42 and had <strong>to</strong> realise quickly that the unedited output<br />

of the program was, ifregarded as an end in itself, useless and would need <strong>to</strong> be looked at<br />

as a means <strong>to</strong> an end, i.e. raw material in need ofselecting and editing. He writes:<br />

1<br />

4<br />

I neither expected nor wanted <strong>to</strong> write myself out of the picture. Presenting the<br />

reader with all the computer's combinations was out of the question. I anticipated<br />

making any final selection myself. 43<br />

Hartman, Virtual Muse, p.82.<br />

4J Hartman, Virtual Muse, p.67.<br />

Chapter 5 - page 196

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