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Chapter 3: A NewKind ofReader?: Interactivity 3.1:TheTemptationofInteractivity 3.1.1: Interactive Art 3-1.2: Interactive Literature 3.2: Definitions ofInteractivityandofInteractiveLiterature 3.3.1: Interactivity as Conversation: Second Orality 3.2.2: Interactiyity as Performance: Drama 3.2.3: The History ofInteractive Fiction 3.3: Reader-Response Theories 3.4: A New DefinitionofInteractivity 3.4.1: Collaboration Chapter 4: A NewKindofAuthor?: CollaborativeWriting 4.1.;. Explorativevs. Constructive Hypertexts 4.2: SingularAuthors - SingularVoices? 4.2.1: What is an author? 4.2.2: The notion ofthe genius 4.2.3: Fiction Factories 4.2.4: The Myth ofthe Solitary Genius 4.3: Filteringoutbadwriting?Alternative Publishingon the Internet 4.3.1: Avant-Garde 4.3.2: Avant-Pop 4.3.3: Collaboration 4.3.4: Intertextuality 4.4: Technologyandthe SeparationofAuthorandText 4.5: Large-Scale LiteraryCollaborations 4.5.1: Linear Collaboration on the Internet 4.5.2: Linear Collaboration in Print 405.3: Non-linear collaborations (electronic format onlf) 405.4: Qther Structures ofCollaborative Projects: City Metaphors 4.6: Conclusion 4.6.1: The Role ofthe Editor p.88 p.90 p.90 p.93 p.93 p.99 p.103 p.116 p.127 p.129 p.132 p.134 p.135 p.136 p.138 p.140 p.143 p.145 p.146 p.148 p.149 p.150 p.156 p.158 p.159 p.163 p.165 p.171 p.173
Chapter 5: Computer-Generated Literature 5.1: Prose vs. Poetry 5.2: The Computeras Author 5.2.1: TALE-SPIN 5.2.2: Question for Literary Studies 5.2.3: Racter 5.3: The Computeras Collaborator 5.3.1: MacProse 5.4: Randomness andChance 5.5: Conclusion Chapter 6: Conclusion 6.1: Evolutionor Revolution? 6.2: OUTinPrint / OUTonline 6.3: The Bookas CarrierofInfonnationanda SymbolofCulture 6.4: Literature on Screen - Textualvs Visual 6.5: Conclusion Bibliography p.178 p.181 p.181 p.184 p.186 p.193 p.195 p.198 p.201 p.209 p.211 p.217 p.220 p.226 p.228
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Page 3: Contents Chapter 1: Introduction 1.
Page 8: Chapter 1: Introduction 1.1: Introd
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narrative construction, and is not
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Just as her scars define the identi
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This shift, not a "death of the aut
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uniqueness, they all have in common
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and entertainment use but as a site
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This element of improvisation, ofev
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which visual seemingly three-dimens
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After an initial description of the
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exploration (in his own categories
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different opinions when it comes to
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meaning at all (to be "texte sur ri
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Poemes. At first glance this text s
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developing body ofknowledge.' The f
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and the series; factors which under
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have shadows added. These possibili
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Electronic text processing and dist
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In the Business District of Downtow
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why the initial reading material ca
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imitation, but even more importantl
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from the medium it was conceived in
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