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Chapter 3: A NewKind ofReader?: Interactivity<br />
3.1:TheTemptationofInteractivity<br />
3.1.1: Interactive Art<br />
3-1.2: Interactive Literature<br />
3.2: Definitions ofInteractivityandofInteractiveLiterature<br />
3.3.1: Interactivity as Conversation: Second Orality<br />
3.2.2: Interactiyity as Performance: Drama<br />
3.2.3: The His<strong>to</strong>ry ofInteractive Fiction<br />
3.3: Reader-Response Theories<br />
3.4: A New DefinitionofInteractivity<br />
3.4.1: Collaboration<br />
Chapter 4: A NewKindofAuthor?: CollaborativeWriting<br />
4.1.;. Explorativevs. Constructive Hypertexts<br />
4.2: SingularAuthors - SingularVoices?<br />
4.2.1: What is an author?<br />
4.2.2: The notion ofthe genius<br />
4.2.3: Fiction Fac<strong>to</strong>ries<br />
4.2.4: The Myth ofthe Solitary Genius<br />
4.3: Filteringoutbadwriting?Alternative Publishingon<br />
the Internet<br />
4.3.1: Avant-Garde<br />
4.3.2: Avant-Pop<br />
4.3.3: Collaboration<br />
4.3.4: Intertextuality<br />
4.4: Technologyandthe SeparationofAuthorandText<br />
4.5: Large-Scale LiteraryCollaborations<br />
4.5.1: Linear Collaboration on the Internet<br />
4.5.2: Linear Collaboration in Print<br />
405.3: Non-linear collaborations (electronic format onlf)<br />
405.4: Qther Structures ofCollaborative Projects: City Metaphors<br />
4.6: Conclusion<br />
4.6.1: The Role ofthe Edi<strong>to</strong>r<br />
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