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From Page to Screen - WRAP: Warwick Research Archive Portal ...

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in green who were fast asleep in their pod {...}. If you prefer another description, go <strong>to</strong> 9.<br />

If this description suits you, go <strong>to</strong> 5". If readers do not want <strong>to</strong> hear about peas they are<br />

then offered the choice of"three big skinny beanpoles" in fragment 2 (if yes, go <strong>to</strong> 16, if<br />

no, go <strong>to</strong> 3), or, ifthat is not good enough, "three middling mediocre bushes" (if yes, go<br />

<strong>to</strong> 17, if no, go <strong>to</strong> 21) in fragment 3. Readers who do not fancy any of these tempting<br />

options are very quickly punished for their lack of patience and interest and end up at<br />

fragment 21, which simply says: "In this case, the s<strong>to</strong>ry is likewise finished".<br />

Bifurcating graph representing the structure ofRaymond Queneau's "A<br />

S<strong>to</strong>ry as You Like It,' Lettres Nouvelles, July-September /967. (Wt' owe<br />

this sagittal representation <strong>to</strong> Queneau><br />

4<br />

Even though the structure of the s<strong>to</strong>ry offers only two choices at the end of each<br />

fragment, there soon comes a point where the sheer quantity of paragraphs <strong>to</strong> describe<br />

all the possible results becomes unmanageable, the text faces an exponential problem".<br />

One decision point requires 2 following fragments, those then need 4, then 8, then 16,<br />

then 32 , then 64 erc., and very soon the pure volume oftext would be impossible <strong>to</strong> deal<br />

with. (An electronic version would make the s<strong>to</strong>rage and the handling of the text much<br />

easier, but would still not solve the problem ofwho is going <strong>to</strong> write all these texts in a<br />

154 Garreth Rees, "Tree fiction", no page numbers.<br />

Chapter 2 - page 47

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