From Page to Screen - WRAP: Warwick Research Archive Portal ...

More documents

Recommendations

Info

The tables are organised on an imagemap" of concentric circles and can be accessed by a mouse-click in any order. Each page ends with an option either to go back to the map or to "interrupt the conversation", with the opportunity to send a comment / contribution referring to this particular element to the author. And the end of the whole text, at THE END, we can, whiledessert is being served in the restaurant, eavesdrop on the conversation at table #59 concerned with questions of, amongst others, the relation between form and content and parallelism - both important in the context of the project. The highly self-referential conversation at this table starts as follows and because it is being introduced as a "background conversation" sets the theme for much ofthe E-Ville Dialogues: Eavesdropping on the conversation at Table #59 (background conversation): Person #1: The question one could pose in relation to you and the isomorphism is, how was an arrangement thought ofin relation to the arranged features? 65 http://www.itp.tsoa.nyu.edu/-shana/Dialogues/tabl.html Chapter 2 - page S-8
Page 1 and 2:
University of Warwick institutional
Page 3 and 4:
Contents Chapter 1: Introduction 1.
Page 5 and 6:
Chapter 5: Computer-Generated Liter
Page 8:
Chapter 1: Introduction 1.1: Introd
Page 13: though distinctly different from ea
Page 21: In the above example of a HyperCard
Page 25: This is the background against whic
Page 30 and 31: chapter 2 and 3 to discuss some oft
Page 33 and 34: and phrase-order) from the "deep st
Page 38 and 39: But how do readers engage with the
Page 40: narrative possibilities, whereas th
Page 46: establish new connections - to "fil
Page 51: organisation by personal associatio
Page 59: know how far away the end is. In th
Page 68: often widely different sources; and
Page 74: the whole body ofknowledge, but ofh
Page 79: format capable ofexpressing his wor
Page 82 and 83: Ifthe charm of a book is that itine
Page 85 and 86: especially ofintertextuality, which
Page 87: have not one creator but many with
Page 90 and 91: a doubt them to stripWd book of not
Page 93: Gravity's Rainhow, or The Puhlic Bu
Page 102 and 103: narrative for a second time. Once r
Page 104: In a thread in an usenet-discussion
Page 111 and 112: as follows: !here are many forms of
Page 119:
"Games are the enemy" says MichaelJ
Page 125 and 126:
eine bestimmte Eigenschaft besitzt
Page 128 and 129:
There is still the question how obj
Page 130:
the "concept of an author". Over th
Page 134:
chapter), a too direct application
Page 144:
from nature, or from history, which
Page 149:
In their study, subtitled "The Cult
Page 160 and 161:
printing process had by then become
Page 164 and 165:
Coser, Kadushin and Powell describe
Page 168:
encourages readers to identify the
Page 183:
Chapter 5: Computer-Generated Liter
Page 192:
the fiction programs. The main prob
Page 197 and 198:
"Once it is running, Racter needs n
Page 199:
(the existence ofwhich he does not
Page 209 and 210:
e observed, some of which have been
Page 212:
generally, but more specifically of
Page 216:
the codex book to a digital textual
Page 223 and 224:
they gradually discovered the langu
Page 228:
towards a more expressive visual el
Page 234:
new electronic textual media: hyper
Page 262:
The UnpublishedAuthor, at: http://w
show all

From Page to Screen - WRAP: Warwick Research Archive Portal ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?