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From Page to Screen - WRAP: Warwick Research Archive Portal ...

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Ifthe charm of a book is that itinevitably reaches an end-point, the charm ofa hypertext<br />

(and I include print encyclopaedias and encyclopaedia novels in this category) is that<br />

they do not have this distinct physical end-point. They are of course not infinite, but<br />

because oftheir set-up oflinks / references that continuously refer <strong>to</strong> other related nodes<br />

/ entries the reading could in manycases go on indefinitely. Readers can never be sure if<br />

they have read everything, and even more, that another reading of the same fragments in<br />

a different orderwould not cast a different light on the events. The text denies closure;<br />

it is the readers' task <strong>to</strong> create the "sense of closure'" for themselves. They read on until<br />

they have achieved an idea of the structure of the text and the potential narratives that<br />

could be constructed in it (without ever realising more than a few). They might read until<br />

they solved the questions they had when approaching the hypertext in a satisfac<strong>to</strong>ry<br />

manner, oruntil in a fictional hypertext one version ofthe events seems more convincing<br />

than others. Or theystart again at some point and tty (in the light oftheir first reading) <strong>to</strong><br />

support their interpretation, or alter it. Or they might give up. Closure is not part ofthe<br />

structure of the text, it is part ofthe reading process. And in an electronic text, without<br />

any physical indication of the size of its network and the lack of orientation points<br />

(page numbers, bookmarks - any indication ofthe position ofthe reader in the text), this<br />

feeling of closure constructed by the reader in the process becomes even more<br />

apparent.<br />

The Electronic Lexicon Novel (ELEX)<br />

The electronic Lexikon-Roman <strong>to</strong>ok a number ofyears <strong>to</strong> come in<strong>to</strong> fruition, withartists<br />

leaving and joining the group that under the name "Libraries of the mind" has set<br />

themselves the task of expanding Okopenko's text multimedially. Presented <strong>to</strong> the<br />

public on the "Softmodeme" Conference in Berlin in September 1997, it combines<br />

Okopenko's text with images and music and, most importantly, implements the 'virtual'<br />

hypertext links ofthe printed encyclopedia novel as real click-on hypertext links.<br />

"Der Lexikon-Roman ist nach wte vor eine enzyklopadische Sammlung, die<br />

Querverweise werden aber dank des Computers erst richtig nutzbar" argues Franz<br />

Nahrada, one of the initia<strong>to</strong>rs of the project, who in this quote shows his belief that the<br />

Chapter 2 - page75

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