22.03.2013 Views

Volume 2–3.pdf

Volume 2–3.pdf

Volume 2–3.pdf

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

20<br />

the inner<br />

You asked me for "my best with<br />

letters" and I (77) hope that I<br />

have not yet done my best with<br />

letters....?<br />

I am most fascinated by the white<br />

inside the letter—and the shape<br />

of the white around, or between<br />

two letters—like with Egyptian<br />

faces where the serif embraces<br />

the white between the type.<br />

And so, for this text, I chose this<br />

particular Egyptianese (from<br />

Hamilton, Chicago, ca. 1860).<br />

This page comes from my "Experiments<br />

lypographica II; which I<br />

composed in October 1944, and<br />

was published by "Galeria der<br />

Spiegal, Cologne" in 1956<br />

and '58. WILL SANDBERG<br />

This is the shoe<br />

that trod the way<br />

as pretty as May<br />

that shod<br />

the mrtircrclamo way<br />

straight as a<br />

LiLIENLIMEILIlf0]<br />

principle<br />

I chose this piece because,<br />

although it was done about seven<br />

years ago, I would probably do it<br />

the same way today— even<br />

though I'm (inevitably) older and<br />

(supposedly) wiser.<br />

Playing with type is my fun &<br />

games and especially gratifying<br />

when it is the keystone supporting<br />

the idea and the design.<br />

Originally designed as a paper<br />

placemat for use in all the<br />

Pappagallo Shops, it was later<br />

adapted for newspaper ads. It<br />

was to be light & playful & evoke<br />

nostalgia by nursery rhyme &<br />

jingle. The type selection, frankly<br />

primer-ish yet feminine, to skip<br />

lightly in cadence from illustrated<br />

stop to stop until the last stop—<br />

the Shop where the shopper<br />

would stop to shop. REBA SOCHIS<br />

that shod the foot<br />

that led to the shop<br />

that sold the shoe<br />

the foot , that leads<br />

for all to follow<br />

swallow, to<br />

MY BEST WITH LETTERS<br />

If a father is questioned about<br />

which of his kids he likes best, he<br />

comes in conflict with himself,<br />

with the mother and with his<br />

children. They are all pretty or<br />

handsome and all useful in this<br />

world. Normally, he would say,<br />

I like them all—light or heavy—;<br />

but if he must make a definite<br />

decision for only one, you can<br />

well imagine the difficult situation<br />

he's in. Well, I will whisper in your<br />

ear: I like, of all my kids, "Optima':<br />

especially. She has an elegant<br />

face, a body well proportioned<br />

like a beauty-queen, and is a star<br />

since birth in 1954 in Frankfurt,<br />

Germany. Now she is 20 years<br />

old. The best age! Of course you<br />

always like your babies above all.<br />

This is natural, for they are so<br />

charming, untouched, just to kiss.<br />

I have a new baby named "Zapf-<br />

Roman:' born, 1974, in New York<br />

City on the East Side and baptized<br />

with Atlantic water. I hope I can<br />

show all my many friends in the<br />

typographic world a picture of<br />

this new baby "Zapf-Roman" very<br />

soon. HERMANN ZAPF<br />

This picture shows a poster for<br />

the Stedelijk Museum (Municipal<br />

Museum) in Amsterdam.<br />

The subject of this poster is an<br />

industrial design exhibition.<br />

Graphic design is an activity<br />

within the field of industrial design;<br />

so I tried to make this clear<br />

by showing the basic grid-system<br />

that I use for all the typographical<br />

work for this museum.<br />

For this occasion I also composed<br />

the letters within this grid<br />

to express the design-system as<br />

strong as possible.<br />

Anyhow, I am fascinated by<br />

system-type and this is what this<br />

poster shows; so it is also a<br />

personal expression.wIM CROUWEL<br />

the shop for<br />

pappagallo<br />

I<br />

Hermann Zapf MANUALE<br />

TYPOGRAPHICUM<br />

100 typographische Gestaltungen<br />

mit Aussagen Ober die Schrift, Ober<br />

Typographie und Druckkunst, aus<br />

Vergangenheit und Gegenwart, in<br />

achtzehn verschiedenen Sprachen<br />

100 typographical arrangements<br />

with considerations about types,<br />

typography and the art of printing<br />

selected from past and present,<br />

printed in eighteen languages.<br />

Z-PRESSE FRANKFURT<br />

NEW YORK MCMLXVIII<br />

stedeli jk museum amsterdam<br />

s april tsm juni 196s<br />

■omommi■ ■ i■ i<br />

■■I NJ Mt Fil<br />

Et NO ■■■■■p ■■m<br />

Itop op upriptomisiii<br />

NE ER ow oppitttlitm<br />

I■i r an tilEmmom<br />

t smmotot itemommommilm<br />

No ■mm 1I limo<br />

iii! tilt ii ■i dili<br />

poi to ■i■■m<br />

■in!<br />

1) Ui Mali ■■■ MINIM<br />

lompottim onowneummomm..<br />

irmio ■it■■r■oo■■t■■pttspr■mmum<br />

11:111111111111111:111511111111111<br />

0115.11..NIMILI■6. .<br />

■119641111'11 1111 IN Mgt "'"1111111111111111<br />

! !WM! ._

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!