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Colloquium on English - Research Institute for Waldorf Education

Colloquium on English - Research Institute for Waldorf Education

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But the speaker has to perceive the c<strong>on</strong>crete imaginati<strong>on</strong>, the memory picture. We need to be aware of the<br />

difference between a head memory which has a photographic quality and the imaginati<strong>on</strong> which is more of<br />

the will. This activity, described in detail by Steiner in Chapter 2 of Study of Man, changes the being of the<br />

listener. What is essential in teaching is that the soul of the teacher meets the soul of the student in this way.<br />

Working with c<strong>on</strong>crete imaginati<strong>on</strong>s which are perceived by the speaker gives rise to the speech and<br />

sound gestures that it is entirely different than what is received from most speech by the listener. The sound<br />

gestures begin to flow more naturally. The basic process gets started, is in a flow, and then the pieces begin<br />

to come together.<br />

This kind of speaking is not just <strong>for</strong> reciting poetry but is extremely helpful <strong>for</strong> general less<strong>on</strong>s, even<br />

mathematics. If the teacher c<strong>on</strong>cretely imagines two objects, then the students will receive the objects<br />

quantitatively rather than abstractly.<br />

This is why it seems somewhat useless in teaching to refer to lecture notes rather than speaking of<br />

what the teacher actually has made her or his own. It is a painful less<strong>on</strong> in high school teaching to realize<br />

that if the teacher can’t remember the in<strong>for</strong>mati<strong>on</strong>, it is pointless to give it to the students to learn.<br />

The whole process requires creating a soul c<strong>on</strong>necti<strong>on</strong> with the material. If you use the imaginati<strong>on</strong><br />

in the moment, then you can use the soul c<strong>on</strong>necti<strong>on</strong> to the sense percepti<strong>on</strong>. Teachers often experience<br />

that the first time they teach a subject seems the str<strong>on</strong>gest. This is because the teacher c<strong>on</strong>nects with it <strong>on</strong><br />

a soul level.<br />

We know that our bodies move when we speak but we often <strong>for</strong>get that this is happening. We have<br />

to remember the movement of our bodies and work with that; we have to fully embody our speech.<br />

— Anne Greer from a coversati<strong>on</strong> with Craig Giddens<br />

Craig Giddens is a rich and available resource <strong>for</strong> suggesting and providing poems and speeches. He has several fat binders full<br />

of material that he is willing to share. He encourages any teacher to c<strong>on</strong>tact him: 9 Sweethaven Lane, Harpswell, ME 04079;<br />

207-725-2772.; word@suscom-maine.net<br />

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