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Colloquium on English - Research Institute for Waldorf Education

Colloquium on English - Research Institute for Waldorf Education

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Diary”? To whom are they writing and <strong>for</strong> what purpose? Many still are encouraged to write “thank you<br />

notes” and a few might still write hand written letters to a variety of audiences <strong>for</strong> a variety of purposes.<br />

There might be a school or class “Newsletter”. They may have written or be encouraged to write accounts<br />

of recent class trips <strong>for</strong> such publicati<strong>on</strong>s. Some may even have engaged in political activity such as writing<br />

to a company or to a politician or letters to the editor of local papers. Many will be e-mailing friends and<br />

will be eager to talk about the purpose of such exchanges as well as the c<strong>on</strong>venti<strong>on</strong>s used. They can easily be<br />

lead to understand that choices in spoken and written <strong>English</strong> are determined by the speaker’s or writer’s percepti<strong>on</strong><br />

of purpose.<br />

4. Additi<strong>on</strong>al Elements In Spoken <strong>English</strong>: Close observati<strong>on</strong> of “body language” can be the basis <strong>for</strong><br />

valuable discussi<strong>on</strong>s in language choice. Is gesture arbitrary? What about the gestures <strong>for</strong> “Come here”, <strong>for</strong><br />

“Stay there”, <strong>for</strong> “Bless you”, or attitudes of prayer in various religi<strong>on</strong>s? This can easily lead into a discussi<strong>on</strong><br />

about whether the words humans have used to name things are arbitrary. Would “a rose by any other name<br />

… small as sweet”? (see Adam Makkai “Rudolf Steiner <strong>on</strong> Language: A View from Modern Linguistics”, an<br />

Afterword to The Genius of Language,1995 editi<strong>on</strong>)<br />

By Grade 10, students have enough understanding of other languages to talk about the varieties of<br />

ways by which human beings have named things that we differentiate every day, such as tree, dog, sun, star,<br />

wind. Such discussi<strong>on</strong> should have moved out of the realm of “<strong>on</strong>e way is better than another” and into an<br />

interest in comparis<strong>on</strong>. They need to know that every language has as complex a history as the <strong>English</strong><br />

language has, and that every word has a history. Such discussi<strong>on</strong>s can also move into c<strong>on</strong>versati<strong>on</strong>s about<br />

the “gestures” of nature. An interesting side path into the w<strong>on</strong>ders of “<strong>on</strong>omatopoeia” could be tempting.<br />

(<strong>for</strong> excellent exercises in sound, see Mary Oliver’s Rules of the Dance and Paul Matthews Sing Me the<br />

Creati<strong>on</strong>). In Grade 10, it seems essential to give a main less<strong>on</strong> <strong>on</strong> the history of the <strong>English</strong> language.<br />

Through this, we can read Caxt<strong>on</strong>’s own account of not knowing which <strong>for</strong>m of <strong>English</strong> to use in his<br />

printing. Thus, the idea of a dicti<strong>on</strong>ary arose. The biographies of Sir William J<strong>on</strong>es, Jacob Grimm, and the<br />

dicti<strong>on</strong>ary makers like Samuel Johns<strong>on</strong>, Noah Webster, and Sir James Murray who undertook the compiling<br />

of the Ox<strong>for</strong>d <strong>English</strong> Dicti<strong>on</strong>ary are w<strong>on</strong>derful stories to share with students. Steiner was fascinated by<br />

Grimm’s law, because it was true research.<br />

5. Standard <strong>English</strong>: Once students are aware that there are a variety of codes and that they are c<strong>on</strong>stantly<br />

switching codes, they can be led into a journal writing assignment and then a discussi<strong>on</strong> of “value judgments”<br />

which they or others make based <strong>on</strong> the way that people speak. A useful preliminary discussi<strong>on</strong><br />

might revolve around judgments they might make about the way people dress. Some students might even<br />

be able to articulate moments when they themselves feel or have felt “judged” by their language.<br />

Grade 10 seems the appropriate year <strong>for</strong> students to acquire a basic understanding of the evoluti<strong>on</strong><br />

of <strong>English</strong> into the current “Standard <strong>English</strong>”, although be<strong>for</strong>e then, students can certainly understand<br />

that their choice of language <strong>for</strong> audience and purpose varies and that there is a “preferred code” <strong>for</strong> spoken<br />

and written <strong>English</strong> in a school setting. An understanding of the remarkable blend of Germanic and Romance<br />

elements in the <strong>English</strong> language allows students to become c<strong>on</strong>sciously aware of the c<strong>on</strong>creteness of<br />

many Anglo-Sax<strong>on</strong> derivati<strong>on</strong>s and the abstractness of many Romance derivati<strong>on</strong>s, where we choose to use<br />

each, and the effect this has <strong>on</strong> listener or reader.<br />

Such a block <strong>on</strong> the development of the language can also introduce students to the development of<br />

the study of linguistics. Giving students practice in tracing the history of words (see American Heritage<br />

Dicti<strong>on</strong>ary especially the Indo-European appendix) can lead to the questi<strong>on</strong>: Do all words come originally<br />

from a “c<strong>on</strong>crete” beginning? Words such as “calculate,” “language,” “curfew” can spark such a questi<strong>on</strong>.<br />

Steiner gives some excellent examples in The Genius of Language: (“lord”, “lady”.) He says, “ …it is extraordinarily<br />

stimulating to point out…bits of language history occasi<strong>on</strong>ally to the children right in the middle<br />

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