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Colloquium on English - Research Institute for Waldorf Education

Colloquium on English - Research Institute for Waldorf Education

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Literature as Unveiling Mirror<br />

by<br />

Philip Thatcher<br />

In thinking about why we are doing what we are doing as literature<br />

teachers, I want to bring together two questi<strong>on</strong>s.<br />

The first is sometimes asked openly by our students, but more often<br />

presents itself in a scenario such as this: You’re in fr<strong>on</strong>t of the class, watching<br />

the students; you see a student put down a pen or book and lean back and<br />

look at you. It could mean that we are getting close to the b<strong>on</strong>e of something.<br />

It could mean, “Do you live what you’re saying?” It could mean,<br />

“Why have you asked me to read this particular book?”<br />

That is the first questi<strong>on</strong> I want us to c<strong>on</strong>sider: Why are we asking<br />

our students to read a particular book? We could answer simply, “It’s part of<br />

the curriculum.” Or we could reply, “Reading this book will be a life trans<strong>for</strong>ming<br />

experience <strong>for</strong> which you will be grateful; trust me.” Perhaps we<br />

d<strong>on</strong>’t have to take resp<strong>on</strong>sibility <strong>for</strong> what we’re asking students to read. We<br />

could tell ourselves that it is because other <strong>Waldorf</strong> schools teach this book.<br />

In British Columbia’s public high schools, Lord of the Flies has been required<br />

reading <strong>for</strong> many years. I w<strong>on</strong>der if teachers ever ask themselves, “Why this<br />

book?”<br />

The sec<strong>on</strong>d questi<strong>on</strong> I want to pose is this: “What makes a piece of<br />

writing literature?” Steinbeck is a writer who has always been important to<br />

me, but when I search him out in bookstores, I find him in the ficti<strong>on</strong> rather<br />

than the literature secti<strong>on</strong>. Why aren’t Steinbeck’s books c<strong>on</strong>sidered literature?<br />

In my experience, there are at least four books by Steinbeck that can be<br />

taught to our students: The Pearl in 9 th grade, Cannery Row in 10 th , Grapes of<br />

Wrath in 11 th , and East of Eden in 12 th . Are these books not literature? Who<br />

decides that a book is or isn’t literature?<br />

Is literature an established can<strong>on</strong> that we read to qualify as being<br />

educated? Or, does literature have to do with the quality of the writing itself?<br />

Is literature more than simply a use of words to state what I already<br />

know? Can I discover meaning through the writing itself? Is language itself<br />

a source of creati<strong>on</strong>? Is literature writing that unveils essential truths about<br />

the world and ourselves - truths not simply of the present moment, but that<br />

go bey<strong>on</strong>d time, that will go <strong>on</strong> speaking to me <strong>for</strong> the rest of my life? Often<br />

I embrace a book that I will read over and over again because it bears a<br />

relati<strong>on</strong>ship to who I am as a human being; it helps me discover my humanity.<br />

Each reading of such a book may well be a different experience.<br />

Literature is writing that has staying power, is writing that faces reality<br />

without shrinking from it, is writing that enables me to bear with the<br />

realities that I c<strong>on</strong>fr<strong>on</strong>t. Literature is Unveiling Mirror.<br />

What can a good work disclose? First, it discloses the world as it is:<br />

the good, the bad, and the ugly as does “Realism” in 20th century writing.<br />

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