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Colloquium on English - Research Institute for Waldorf Education

Colloquium on English - Research Institute for Waldorf Education

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Discussi<strong>on</strong>: Teaching Writing<br />

As <strong>English</strong> teachers, most of us have the urge to write and love doing it. We have to begin by<br />

understanding that our students have not yet been schooled in writing and that we must teach it as a craft,<br />

as art teachers teach the craft of drawing, or music teachers the craft of singing. Some of us remember<br />

unpleasant experiences learning another art or even avoid attempting to learn another art. It is useful <strong>for</strong> us<br />

to remember such experiences to gain sympathy with how our students might feel when faced with learning<br />

the art of writing. However, all humans, unless impaired in some way, use language, so there must be a<br />

latent desire and ability in every<strong>on</strong>e. We are speaking beings, but how does that translate to being writers.<br />

We must never <strong>for</strong>get that at the heart of language is a mystery and <strong>for</strong> some of our students waking up to<br />

language is a difficult thing<br />

Teaching the craft of writing encompasses several genres in high school. The first major divisi<strong>on</strong> is<br />

between creative writing and expositi<strong>on</strong>. Creative writing itself divides into poetry, ficti<strong>on</strong>, creative n<strong>on</strong>ficti<strong>on</strong>,<br />

and drama. Expositi<strong>on</strong> includes letters, instructi<strong>on</strong>s, and essays.<br />

We all have students write in a variety of genres, primarily essays, research papers, ficti<strong>on</strong>, drama,<br />

and poetry. All these activities enhance observati<strong>on</strong>, thinking, and writing. The more we work with all<br />

genres, the better the skills become. Each genre has a specific history, and we all agree that <strong>on</strong>e of the things<br />

that <strong>Waldorf</strong> schools are able to do c<strong>on</strong>sistently over four grades is to give the students an idea of this<br />

history. By the end of high school, they should know something of the history of poetry, novels and short<br />

stories, playwriting and screenwriting, essays, biographies, and scientific and technical writing. Some teachers<br />

are also able to include something of the history of communicati<strong>on</strong>.<br />

We are <strong>for</strong>tunate in <strong>Waldorf</strong> schools that many of our students write all the time in many of their<br />

classes. They learn to write more effectively by practicing, sharing, and revising.<br />

Generally speaking, ninth graders are happy to do whatever they are asked to do. Being active in<br />

their will, they learn by doing. <strong>English</strong> teachers need to provide plenty of opportunity <strong>for</strong> them to write.<br />

In Grade 9, we should establish the ground rules <strong>for</strong> the process of writing that will carry them<br />

through all of high school:<br />

• Every work is a work in process.<br />

• Everybody will read what he or she has written.<br />

• Listeners must be specific about what they like or do not like and why.<br />

• The writer must listen to the resp<strong>on</strong>se and decide if she or he wants to incorporate the<br />

changes.<br />

In-class writing is critical. Writing ceases to be a large imp<strong>on</strong>derable mystery and becomes instead an<br />

exercise. Group writing alleviates fear.<br />

Rather than asking students to “write a poem”, give them exercises in the crafting of poetry. Many<br />

exercises can be found in Paul Matthews’ Sing Me The Creati<strong>on</strong>. Here is an off-shoot of <strong>on</strong>e used with great<br />

success at Green Meadow:<br />

The teacher int<strong>on</strong>es two lines composed entirely of n<strong>on</strong>sense words:<br />

“Thungth gwallig ummi go<br />

schnuba blab blab frigglig”<br />

The words are then translated by the meaning of the sound:<br />

“Thump colleague you me go<br />

Snooze but plop plop frilly”<br />

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