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PSYCHEDELICS - Sciencemadness.org

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286___________<br />

____________________________________________________ Psychedelics<br />

in a positive, happy state, which was brought crashing down<br />

when the outside observer raised some issues about which the<br />

subject felt guilty.<br />

The quality of the experience for the other subjects is best<br />

exemplified by the fact that one subject reported that every-<br />

thing was part of a divine order and he must spend his life<br />

serving God. A second subject described the world as "... at<br />

once a gigantic formal garden and an irrepressible wilderness<br />

of joyous space." A third subject titled his account of this<br />

session "And then there was Depth!" The two subjects with<br />

experience of a psychedelic (marijuana) reported the expe-<br />

rience as being like "a pot high." The simulator became con-<br />

vinced that our usual perception of depth is an illusion, and<br />

was engrossed with the tridimensionality of space.<br />

All six subjects responded to this condition with an<br />

expanded awareness of the world similar to the experiences<br />

described by Huxley in The Doors of Perception (1954).<br />

With the exception of the fifth hypnotic subject, all became<br />

and remained exuberantly happy. All but the simulator seemed<br />

to have experiences similar to what has been described under<br />

the rubric of "psychedelic experience." All the hypnotic sub-<br />

jects reported sensory enhancement, most marked in the visual<br />

area, but cutting across all sense modalities. The hypnotic<br />

subjects were also, as a group, impressed with the order in-<br />

herent in the world about them, which three of them im-<br />

bued with religious significance.<br />

Blurred vision. Three hypnotic subjects responded posi-<br />

tively to this condition; two hypnotic subjects and the simu-<br />

lator responded with schizoid withdrawal. Those that re-<br />

sponded positively responded in terms of the primacy of<br />

color and light over form, and compared their perceptions<br />

of the world with impressionist paintings. One subject and<br />

the simulator responded in terms of an inability to make con-<br />

tact with anybody; the last subject responded with a blunting<br />

and dulling of thought processes. All subjects lost some<br />

sensation in non-visual modalities. When the perception of<br />

outlines alone was blurred, colors tended to stand out. Alan<br />

Watts (1962) has noted how the perception of form and the<br />

perception of color may really be the same, but the behavior<br />

patterns of these subjects do not support this point of view.

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