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An Outline of The History of Western Music Grout ... - The Reel Score

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iii- in Vienna - Georg Matthias Monn (1717-1750), Georg Christoph Wagenseil<br />

(1715-1777), Florian Leopold Gassmann (1729-1774), Michael Haydn<br />

(1737-1806)<br />

iv- in Berlin - or North German School - clustered around Fredrick the Great<br />

(who was a composer himself) - Johann Gottlieb Graun (1702/03-1771) &<br />

C.P.E. Bach (1735-1782)<br />

c) France<br />

1: Paris became an important center <strong>of</strong> composition and publication toward the<br />

middle <strong>of</strong> the 18th century<br />

2: Composers<br />

i- Gerog Christoph Wagenseil (1715-1777), Ignaz Holzbauer (1711-1783)<br />

both Austrian<br />

ii- <strong>An</strong>ton Fils (1733-1760) a Bavarian<br />

iii- Sammartini (1698-1775), Karl Stamitz (1745-1801)<br />

iv- Francois-Joseph Gossec (1734-1829) - one <strong>of</strong> the most popular composers<br />

during the revolutionary period<br />

v- Joseph Boulogne Saint-Georges (ca. 1739-1799), Giovanni Giuseppe<br />

Cambini (1746-1825)<br />

d) the Symphony Orchestra<br />

1: much smaller than today's<br />

2: basso continuo was gradually abandoned in both the symphony and other<br />

forms <strong>of</strong> ensemble music (last quarter <strong>of</strong> the century)<br />

3: all the essential voices were taken over by the melody instrumentes<br />

4: responsibility <strong>of</strong> conducting the group fell to the leader <strong>of</strong> the violins<br />

5: by mid century, all the essential musical material to the strings<br />

6: used the winds only for doubling, reinforcing, and filling in the harmonies - later<br />

in the century the wind instruments were entrusted with more important and<br />

more independent material<br />

4. Chamber <strong>Music</strong><br />

a) the keyboard with fully written out part tended to dominate its 1,2, or 3 instrumental<br />

partners<br />

b) the piano began to replace the harpsichord and clavinet<br />

c) Mannheimer Franz Xaver Richter (1709-1789)<br />

J. Summary<br />

1. early Classic period explored a wealth <strong>of</strong> new genres, forms, and expressive means<br />

2. much <strong>of</strong> the innovation originated in opera - particularly comic opera<br />

3. need to reach a diverse audience led to a simplification <strong>of</strong> means and a striving for<br />

naturalness <strong>of</strong> expression<br />

4. new styles spread through the cosmopolitan network <strong>of</strong> musicians, composers, and<br />

directors to centers such as Paris, Mannheim, and Vienna<br />

5. many practices broke out <strong>of</strong> the theaters into the concert hall and private chambers<br />

6. the excesses <strong>of</strong> Italian opera were purged culminating in the spare, transparent, and<br />

logical flow <strong>of</strong> musical ideas - to be grasped at first listen<br />

7. instrumental music no longer needed a text or a title to render it intelligible<br />

8. paved the way for the mature classic period <strong>of</strong> Haydn & Mozart

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