An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
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iii- in Vienna - Georg Matthias Monn (1717-1750), Georg Christoph Wagenseil<br />
(1715-1777), Florian Leopold Gassmann (1729-1774), Michael Haydn<br />
(1737-1806)<br />
iv- in Berlin - or North German School - clustered around Fredrick the Great<br />
(who was a composer himself) - Johann Gottlieb Graun (1702/03-1771) &<br />
C.P.E. Bach (1735-1782)<br />
c) France<br />
1: Paris became an important center <strong>of</strong> composition and publication toward the<br />
middle <strong>of</strong> the 18th century<br />
2: Composers<br />
i- Gerog Christoph Wagenseil (1715-1777), Ignaz Holzbauer (1711-1783)<br />
both Austrian<br />
ii- <strong>An</strong>ton Fils (1733-1760) a Bavarian<br />
iii- Sammartini (1698-1775), Karl Stamitz (1745-1801)<br />
iv- Francois-Joseph Gossec (1734-1829) - one <strong>of</strong> the most popular composers<br />
during the revolutionary period<br />
v- Joseph Boulogne Saint-Georges (ca. 1739-1799), Giovanni Giuseppe<br />
Cambini (1746-1825)<br />
d) the Symphony Orchestra<br />
1: much smaller than today's<br />
2: basso continuo was gradually abandoned in both the symphony and other<br />
forms <strong>of</strong> ensemble music (last quarter <strong>of</strong> the century)<br />
3: all the essential voices were taken over by the melody instrumentes<br />
4: responsibility <strong>of</strong> conducting the group fell to the leader <strong>of</strong> the violins<br />
5: by mid century, all the essential musical material to the strings<br />
6: used the winds only for doubling, reinforcing, and filling in the harmonies - later<br />
in the century the wind instruments were entrusted with more important and<br />
more independent material<br />
4. Chamber <strong>Music</strong><br />
a) the keyboard with fully written out part tended to dominate its 1,2, or 3 instrumental<br />
partners<br />
b) the piano began to replace the harpsichord and clavinet<br />
c) Mannheimer Franz Xaver Richter (1709-1789)<br />
J. Summary<br />
1. early Classic period explored a wealth <strong>of</strong> new genres, forms, and expressive means<br />
2. much <strong>of</strong> the innovation originated in opera - particularly comic opera<br />
3. need to reach a diverse audience led to a simplification <strong>of</strong> means and a striving for<br />
naturalness <strong>of</strong> expression<br />
4. new styles spread through the cosmopolitan network <strong>of</strong> musicians, composers, and<br />
directors to centers such as Paris, Mannheim, and Vienna<br />
5. many practices broke out <strong>of</strong> the theaters into the concert hall and private chambers<br />
6. the excesses <strong>of</strong> Italian opera were purged culminating in the spare, transparent, and<br />
logical flow <strong>of</strong> musical ideas - to be grasped at first listen<br />
7. instrumental music no longer needed a text or a title to render it intelligible<br />
8. paved the way for the mature classic period <strong>of</strong> Haydn & Mozart