An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
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1: held to some recognizably familiar features <strong>of</strong> the past<br />
i- tonal centers - defined or alluded to<br />
ii- melodic shape<br />
iii- goal oriented movement <strong>of</strong> musical ideas<br />
2: while incorporating fresh & unfamiliar elements<br />
2. Arthur Honegger (1892-1955) - excelled in music <strong>of</strong> dynamic action and graphic<br />
gesture<br />
3. Darius Milhaud (1892-1974) - <strong>of</strong>ten employed polytonality<br />
4. Francis Poulec (1899-1963)<br />
H. Igor Stravinsky (1882-1971)<br />
1. participated in the most significant musical developments <strong>of</strong> the firs half <strong>of</strong> the 20<br />
century - giving impetus to some <strong>of</strong> these developments<br />
2. Early Works<br />
a) <strong>The</strong> Firebird - from the Russian nationalist tradition<br />
b) Petruska<br />
1: containing many stylistic ingredients that remain identified with Stravinsky<br />
2: Petruska chord - with polytonal effect, through the use <strong>of</strong> the octatonic scale<br />
c) Le Sacre<br />
1: stuck many listeners as the culmination <strong>of</strong> primitivism<br />
2: novel not only in the rhythms, but even more in the previously unheard<br />
orchestral effects<br />
3. His Neo-Classicism<br />
a) with <strong>The</strong> Rake's Progress" in 1951 he adopted a neo-classic approach<br />
b) refers to his prefernce for balance, coolness, objectivity, and absolute (as opposed<br />
to program) music<br />
4. Choral literature<br />
a) Oedipus rex (1927)<br />
b) Symphony <strong>of</strong> the Psalms (1930) - utilizing "pandiatonicism"<br />
III. Atonality, Serialism, & recent developments in 20th Century Europe<br />
A. Arnold Schoenberg (1874-1951) and his followers<br />
1. Atonality<br />
a) the twelve tone system he devised springs from late German Romanticism -<br />
around 1908 he moved from a chromatic approach centered on a keynote to<br />
atonality<br />
1: much late Romantic music - especially in Germany had been tending toward<br />
atonality<br />
2: chromatic melody lines & chord progressions - ie. Wagner - had resulted in<br />
passages lacking a perceived tonal center<br />
b) Atonal refers to music not based on the harmonic & melodic relationships<br />
revolving around a key center<br />
1: note the term in not applied to "serial music" - music built on the 12 Tone Row<br />
2: from 1908-1923 he composed atonal music - based upon "composing with the<br />
tones <strong>of</strong> a motive" with each motive have three or more pitches<br />
i- theorists later developed the concept <strong>of</strong> "pitch-class set" to describe the<br />
collection <strong>of</strong> notes from which melodies or harmonies were formed