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An Outline of The History of Western Music Grout ... - The Reel Score

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) mostly violin but also for cello, flute, or bassoon<br />

3. Concerto Form<br />

a) usual pattern <strong>of</strong> 3 movements - fast, slow, fast - with the slow movement in the<br />

same key or a closely related one, with the final Allegro shorter and slightly faster<br />

than the first<br />

b) first composer to make the slow movement as important as the two Allegros - the<br />

slow movements <strong>of</strong> the later concertos are especially forward looking<br />

c) exhibiting many features <strong>of</strong> the early classical period<br />

(1) balanced phrases<br />

(2) frequent half cadences clarifying the structure<br />

(3) trills, triplets, and cadences s<strong>of</strong>tened by appoggiaturas<br />

C. Jean-Philippe Rameau (1683-1764)<br />

1. Foremost French musician <strong>of</strong> the 18th century<br />

2. First attracted attention as a theorist and only afterward as a composer - most <strong>of</strong> the<br />

musical works for which he bacame famous were composed between his 50 & 56<br />

year<br />

3. Published his famous "Traité de l'harmonie" (Treatise on Harmony) in 1722<br />

a) sought to derive the basic principles <strong>of</strong> harmony from the laws <strong>of</strong> acoustics<br />

b) he not only clarified the musical practice <strong>of</strong> his time but also influenced music<br />

theory for the next 200 years<br />

c) he established the tonic, dominant, and subdominant chords as the pillars <strong>of</strong><br />

tonality - relating the other chords to these - formulating the hierarchies <strong>of</strong><br />

functional harmony<br />

d) Rameau the composer constantly practiced the doctrine <strong>of</strong> Rameau the theorist -<br />

that all melody is rooted in harmony - his harmony achieving dramatic force in<br />

operatic monologues<br />

4. in 1731 he was taken under the protection <strong>of</strong> Alexandre-Jean-Joseph Le Riche de la<br />

Pouplinière (1693-1762) - the leading patron <strong>of</strong> music in France<br />

a) maintained an orchestra <strong>of</strong> 14 players at his chateau in Passy near Paris<br />

b) Rameau was his organist, conductor, and composer in residence<br />

c) la Pouplinière helped Rameau make his name as an opera composer<br />

5. Became embroiled in the "War <strong>of</strong> the Buffonists" - a quarrel between the French<br />

Opera supporters and the Italian Opera supporters (led by Jean-Jacques Rousseau<br />

(1712-1778)<br />

D. Johann Sebastian Bach (1685-1750)<br />

1. Known as an organ virtuoso and writer <strong>of</strong> learned contrapuntal works in his own time<br />

- it was only in the 19th century that his Passions, cantatas, and instrumental music<br />

became known and greatly admired<br />

2. He wrote primarily to fulfill the needs <strong>of</strong> the positions he held - his works can be<br />

grouped accordingly<br />

a) Arnstadt (1703-07), Mühlhausen (1707-08), Weimar (1708-17) employed to play<br />

the organ - most <strong>of</strong> his compositions were for the organ<br />

b) Cöthen (1717-23) - nothing to do with church music he composed mostly works for<br />

harpsichord, clavichord, instrumental ensembles<br />

c) Leipzig (1723-1750) - as Cantor <strong>of</strong> St. Thomas & Director <strong>of</strong> <strong>Music</strong> <strong>of</strong> Leipzig -<br />

most <strong>of</strong> his cantatas and other church music with some <strong>of</strong> his most important

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