An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
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) mostly violin but also for cello, flute, or bassoon<br />
3. Concerto Form<br />
a) usual pattern <strong>of</strong> 3 movements - fast, slow, fast - with the slow movement in the<br />
same key or a closely related one, with the final Allegro shorter and slightly faster<br />
than the first<br />
b) first composer to make the slow movement as important as the two Allegros - the<br />
slow movements <strong>of</strong> the later concertos are especially forward looking<br />
c) exhibiting many features <strong>of</strong> the early classical period<br />
(1) balanced phrases<br />
(2) frequent half cadences clarifying the structure<br />
(3) trills, triplets, and cadences s<strong>of</strong>tened by appoggiaturas<br />
C. Jean-Philippe Rameau (1683-1764)<br />
1. Foremost French musician <strong>of</strong> the 18th century<br />
2. First attracted attention as a theorist and only afterward as a composer - most <strong>of</strong> the<br />
musical works for which he bacame famous were composed between his 50 & 56<br />
year<br />
3. Published his famous "Traité de l'harmonie" (Treatise on Harmony) in 1722<br />
a) sought to derive the basic principles <strong>of</strong> harmony from the laws <strong>of</strong> acoustics<br />
b) he not only clarified the musical practice <strong>of</strong> his time but also influenced music<br />
theory for the next 200 years<br />
c) he established the tonic, dominant, and subdominant chords as the pillars <strong>of</strong><br />
tonality - relating the other chords to these - formulating the hierarchies <strong>of</strong><br />
functional harmony<br />
d) Rameau the composer constantly practiced the doctrine <strong>of</strong> Rameau the theorist -<br />
that all melody is rooted in harmony - his harmony achieving dramatic force in<br />
operatic monologues<br />
4. in 1731 he was taken under the protection <strong>of</strong> Alexandre-Jean-Joseph Le Riche de la<br />
Pouplinière (1693-1762) - the leading patron <strong>of</strong> music in France<br />
a) maintained an orchestra <strong>of</strong> 14 players at his chateau in Passy near Paris<br />
b) Rameau was his organist, conductor, and composer in residence<br />
c) la Pouplinière helped Rameau make his name as an opera composer<br />
5. Became embroiled in the "War <strong>of</strong> the Buffonists" - a quarrel between the French<br />
Opera supporters and the Italian Opera supporters (led by Jean-Jacques Rousseau<br />
(1712-1778)<br />
D. Johann Sebastian Bach (1685-1750)<br />
1. Known as an organ virtuoso and writer <strong>of</strong> learned contrapuntal works in his own time<br />
- it was only in the 19th century that his Passions, cantatas, and instrumental music<br />
became known and greatly admired<br />
2. He wrote primarily to fulfill the needs <strong>of</strong> the positions he held - his works can be<br />
grouped accordingly<br />
a) Arnstadt (1703-07), Mühlhausen (1707-08), Weimar (1708-17) employed to play<br />
the organ - most <strong>of</strong> his compositions were for the organ<br />
b) Cöthen (1717-23) - nothing to do with church music he composed mostly works for<br />
harpsichord, clavichord, instrumental ensembles<br />
c) Leipzig (1723-1750) - as Cantor <strong>of</strong> St. Thomas & Director <strong>of</strong> <strong>Music</strong> <strong>of</strong> Leipzig -<br />
most <strong>of</strong> his cantatas and other church music with some <strong>of</strong> his most important