03.04.2013 Views

An Outline of The History of Western Music Grout ... - The Reel Score

An Outline of The History of Western Music Grout ... - The Reel Score

An Outline of The History of Western Music Grout ... - The Reel Score

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

(1) Cult <strong>of</strong> Apollo - lyre<br />

(2) Cult <strong>of</strong> Dionysus - aulos<br />

i) used to accompany dithyrambs (forerunners <strong>of</strong> Greek drama)<br />

d) Chorus & aulos use in the Tragedies <strong>of</strong> the Classic Age<br />

e) From 6th century B.C.E. lyre & aulos were independent solo instruments<br />

(1) As instrumental music grew more independent<br />

i) rise <strong>of</strong> virtuoso players<br />

ii) music became more complex<br />

(2) Aristotle warned against too much pr<strong>of</strong>essional training<br />

B. Characteristics <strong>of</strong> Greek <strong>Music</strong><br />

1. Surviving examples come from relatively late periods<br />

2. Resembled the music <strong>of</strong> the early Middle Ages<br />

a) Primarily monophonic (Melody without harmony or counterpoint)<br />

b) Instruments <strong>of</strong>ten embellished the melody while soloist or ensemble sang it<br />

(1) termed heterophony: Same melody performed simultaneously in more than<br />

one way i.e.. simply and ornamented, vocally & instrumentally<br />

(2) Melody & rhythm <strong>of</strong> Greek music were intimately bound up with melody &<br />

rhythm <strong>of</strong> poetry<br />

(3) Polyphony <strong>of</strong> independent parts was not present - it would come later<br />

c) No evidence <strong>of</strong> continuity <strong>of</strong> practice between Greeks & early Christians<br />

C. Greek <strong>Music</strong>al Thought<br />

1. Greek musical theory did affect the music <strong>of</strong> western Europe in the Middle Ages - we<br />

know more about Greek musical thought than about the music itself<br />

2. Two kinds <strong>of</strong> <strong>The</strong>oretical writings<br />

a) Doctrines on the nature <strong>of</strong> <strong>Music</strong>, place in the cosmos, effects, proper use in<br />

human society<br />

b) Systematic descriptions <strong>of</strong> the materials and patterns <strong>of</strong> musical composition<br />

3. <strong>The</strong>se insights in the science & philosophy <strong>of</strong> music have survived to this day<br />

a) Pythagoras (500 B.C.E.) was the legendary founder<br />

b) Aristides Quintilianus (4th Century C.E.) the last writer<br />

4. <strong>Music</strong> in the Greek mind was inseparable from numbers - which were thought to be<br />

the key to the entire spiritual and physical universe<br />

a) Plato explains in<br />

(1) Timaeus and <strong>The</strong> Republic<br />

(2) Pr<strong>of</strong>oundly influences medieval & Renaissance thought on music and its place<br />

in education<br />

b) Ptolemy<br />

(1) Leading astronomer <strong>of</strong> antiquity and a systematic music theorist<br />

(2) Mathematical laws were thought to underline the systems <strong>of</strong> both musical<br />

intervals and heavenly bodies - given poetic form by Plato in the myth the<br />

"music <strong>of</strong> the spheres"<br />

5. Close union <strong>of</strong> music & poetry<br />

a) "Lyric" poetry meant poetry sung to the lyre

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!