An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
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(4) Vicentino, Rore, & Lasso (pupils <strong>of</strong> Wallaert & their contemporaries) continued<br />
to seek a close music/text bond<br />
i) but did tilt the balance toward the expression <strong>of</strong> a poems varied feelings &<br />
images<br />
ii) losing a certain cohesion and homgenity <strong>of</strong> style<br />
b) Most characteristic genre to emerge from the widespread cultivation <strong>of</strong> vocal music<br />
in the British Isles was the lute & consort song<br />
C. Instrumental music <strong>of</strong> the 16th century<br />
1. <strong>The</strong> Rise <strong>of</strong> Instrumental <strong>Music</strong><br />
a) Between 1450 & 1550 distinct styles, genres, and forms <strong>of</strong> instrumental music<br />
emerged<br />
(1) earlier most that survive are keyboard transcriptions<br />
(2) but seeming increase starting around 1450 meant that it was finally be written<br />
down<br />
i) prior parts were memorized or improvised<br />
ii) vocal part music was <strong>of</strong>ten performed instrumentally or voice & instrumental<br />
combinations<br />
iii) later performer embellishments were still improvised however<br />
2. Books on Instruments<br />
a) Publications that describe instruments or give playing instructions manifest the<br />
16th century growing regard for instrumental music<br />
(1) showed problems with pitch, temperament, & tuning<br />
(2) about the art <strong>of</strong> embellishing a melodic line<br />
b) First was <strong>Music</strong>a getutscht und ausgezogen (A summary <strong>of</strong> the Science <strong>of</strong> <strong>Music</strong>) -<br />
in German, (1511)<br />
c) <strong>The</strong> second volume (1618) <strong>of</strong> Syntagma musicum (A Systematic Treatise <strong>of</strong> <strong>Music</strong>)<br />
by Michael Praetorius contains descriptions and woodcuts <strong>of</strong> the instrumets then<br />
in use<br />
(1) instruments were built in sets or families<br />
i) uniform timbre was available from soprano to bass<br />
ii) complete set (called a "chest or consort") consisted <strong>of</strong> 4 - 7 instruments<br />
(2) most <strong>of</strong> the winds had a s<strong>of</strong>ter sound than their modern counterparts<br />
d) Principal instruments<br />
(1) winds<br />
i) shawms, krummhorn, korholt, rauschpfeife, tranverse flutes, cornetts,<br />
trumpets, sackbuts<br />
(2) strings<br />
i) viols differed from the modern in tuning, a fretted neck, 6 strings rather than<br />
4<br />
ii) viola di gamba was held between legs, viola di braccio played on the arm<br />
(3) organ<br />
i) by 1500 the large church organ was similar in essentials to modern<br />
example