An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
An Outline of The History of Western Music Grout ... - The Reel Score
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d) Polyphonic virelais, rondeaux, & ballades<br />
(1) Called "formes fixes" (fixed forms) - text & music have particular patterns <strong>of</strong><br />
repetition that are determined by poetic structure<br />
(2) Here Ars Nova technique shows most clearly<br />
(3) Exploited the new duple meter<br />
(4) Made top part (Cantus) the principal voice supporting it with tenor and triplum<br />
(and rarely a fourth voice)<br />
i) ballade or cantilena style<br />
ii) with the treble voice carrying the text dominates the 3 part structure<br />
iii) while the lower two voices are most <strong>of</strong>ten performed instrumentally<br />
(5) While still extensive use <strong>of</strong> 5th and pungent dissonances the use <strong>of</strong> 3rd & 6th<br />
and their orderly succession distinguish him from predecessors<br />
(6) Lyrical melodic line in the solo voice<br />
e) Mass<br />
(1) His Messe de Notre Dame was one <strong>of</strong> the earliest polyphonic settings <strong>of</strong> the<br />
Ordinary<br />
(2) Clearly regarded the five divisions <strong>of</strong> the Ordinary as one musical composition<br />
- rather than separate parts<br />
f) Summary<br />
(1) Typical <strong>of</strong> 14th century composers in that his sacred compositions were only a<br />
small portion <strong>of</strong> his total output<br />
i) production <strong>of</strong> sacred music declined as the prestige <strong>of</strong> the church<br />
weakened and the arts became more secularized<br />
ii) church had second thoughts about using elaborate musical settings in<br />
services<br />
C. Italian Trecento (1300) <strong>Music</strong><br />
1. Developed differently than French music because <strong>of</strong> Italy's different social & political<br />
climate<br />
a) France had monarchy, Italy collection <strong>of</strong> city-states<br />
b) French monarchy developed increasing power & stability, Italian city-states each<br />
had own political, cultural & linguistic traditions & alliances<br />
2. General <strong>Music</strong>al Trends<br />
a) Composers associated with the church & trained in counterpoint & notation wrote<br />
refined secular music for elite circles<br />
b) Polyphony in 14th Century Italian church music was largely improvised<br />
c) Principal centers <strong>of</strong> trecento music<br />
(1) Central & norther part <strong>of</strong> Italian peninsula<br />
(2) Bologna, Padua, Modena, Milan, Perugia, & Florence<br />
d) Florence<br />
(1) A particularly important cultural center from the 14th through 16th century<br />
(2) Location for two celebrated works <strong>of</strong> literature<br />
i) Boccaccio's "Decameron"<br />
ii) Prato's "Paradiso degli Alberti"