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An Outline of The History of Western Music Grout ... - The Reel Score

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- musical scheme brought together all the great traditions <strong>of</strong> the past<br />

(chorale, solo song, concertated medium<br />

c- all added to the dramatically powerful elements <strong>of</strong> operatic recitative &<br />

aria<br />

iii) strictly speaking, the designation "cantata" applies only to compositions <strong>of</strong><br />

this type<br />

(3) <strong>The</strong> Passion<br />

i) in Lutheran Germany, the "historia" - a musical setting based on some<br />

biblical narrative was favored over the oratorio - the most important type <strong>of</strong><br />

historia was the Passion<br />

ii) origins<br />

a- plainsong settings <strong>of</strong> the suffering & death <strong>of</strong> Christ existed since<br />

medieval times<br />

b- after the 12th century, it was customary to recite the story in a semidramatic<br />

mode with the priest singing the narrative portions, another the<br />

words <strong>of</strong> Christ and a third the words <strong>of</strong> the crowd (the "turba" section)<br />

c- after the 15th century, composers wrote polyphonic settings <strong>of</strong> the turba<br />

portions in motet style - known as the "dramatic or scenic Passion"<br />

d- "motet passions" appeared in the mid 15th century in which the entire text<br />

was set as a series <strong>of</strong> polyphonic motets<br />

e- "oratorio Passion" the rise in the concerted medium led to a new type <strong>of</strong><br />

Passion in the late 17th century derived from the oratorio<br />

4. Composers<br />

a) Catholic<br />

(1) Italy<br />

i) Maurizio Cazzati (ca. 2620-1677) published nearly fifty collections <strong>of</strong> sacred<br />

vocal music between 1641 & 1678<br />

ii) Giovanni Paolo Colonna (1637-1695) succeeded Cazzati in 1674 as music<br />

director at San Perronio<br />

iii) Legrenzi, & <strong>An</strong>tonio Lotti (1667-1740) in northern Italy<br />

iv) Alessandro Scarlatti, & Giovanni Battista Pergolesi (1710-1736) in Naples<br />

(2) Germany Catholic south<br />

i) <strong>An</strong>tonio Caldara (ca. 1670-1736)<br />

ii) Adolph Hasse (1699-1783)<br />

iii) Johann Josef Fux (1660-1741)<br />

(3) France<br />

i) Marc-<strong>An</strong>tome Charpentier (1634-1704)<br />

ii) Henri Dumont (1610-1684)<br />

iii) Jean-Baptiste Lully (1632-1687)<br />

iv) Michel-Richard de Lalande (1657-1726)<br />

v) François Couperin (1668-1733)<br />

b) Lutheran north Germany<br />

(1) Matthias Weckmann (1619-1672)<br />

(2) Franz Tunder (1614-1667)<br />

(3) <strong>An</strong>dreas Hammerschmidt (1611-1675)

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