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Mireille Falardeau et Michel Loranger Le choix de stratégies ... - CSSE

Mireille Falardeau et Michel Loranger Le choix de stratégies ... - CSSE

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464 BOOK REVIEWS / RECENSIONS<br />

the requirements of securing human diversity, compassionate justice, and the<br />

renewal of life” (p. 27). Simon’s “project of possibility” is marked by a profound<br />

sense of the complexities of human lives shaped by larger social configurations.<br />

In the second essay, “The Horizon of Possibility,” Simon constructs the <strong>et</strong>hical<br />

dimensions of this project. He is glaringly aware of the contradictions inevitably<br />

arising from the constrictions within which such a project and its requirements<br />

must be located, where the struggle for transformation is implanted in a restrictive<br />

and divisive social or<strong>de</strong>r. Simon acknowledges the need for a discussion of<br />

these requirements, although his is disappointingly abbreviated. However, his<br />

articulation of the constrictions and requirements of possibility does encourage<br />

the embrace rather than the dismissal of hope in face of the massive educational<br />

venture he envisions.<br />

The scope of the project Simon outlines <strong>de</strong>mands the work of committed<br />

educators across many fronts. The expansion of possibilities for education,<br />

generally, is a hallmark of all of Simon’s work. Y<strong>et</strong>, in “Teachers as Cultural<br />

Workers,” Simon <strong>de</strong>velops the cultural and pedagogical bases for collective<br />

efforts at expansion that are at once enabling and enthralling, nudging as they do<br />

at ways “to constitute, organize and articulate a new s<strong>et</strong> of relations b<strong>et</strong>ween<br />

education and other practices of semiotic production” (p. 39). Naming the work<br />

of education as “semiotic production” (p. 37) and the practices of schooling as<br />

“cultural technologies” (p. 40), Simon locates both within the realm of cultural<br />

studies, a move that “signals a shift from an exclusive concern with the<br />

substance and m<strong>et</strong>hod of representation to questions such as which representations<br />

are engaged by whom, how, why, and with what consequences” (p. 46),<br />

questions that cut to the heart of a project of possibility.<br />

Insisting that “all cultural work needs to address the concerns of pedagogy”<br />

(p. 46), Simon s<strong>et</strong>s the tone for the final essay of section one, “Pedagogy as<br />

Political Practice.” If pedagogy is “an attempt to influence experience and its<br />

resulting forms of subjectivity” (p. 59) through the broad bases of semiotic<br />

productions and cultural technologies, then an attendant <strong>de</strong>mand on pedagogies<br />

is that “the [partial] moral vision they imply must be clarified and subjected to<br />

constant critique” (p. 62). The impositional violence of unreflexive pedagogies,<br />

once named, can be addressed through “a counterdiscursive activity that attempts<br />

to provoke a process through which people might engage in a transformative<br />

critique of their everyday lives” (p. 60), that is, “a pedagogy of possibility” (p.<br />

60). Simon outlines curricular measures to shore up this pedagogy while not<br />

losing sight of the “threat and anxi<strong>et</strong>y in the process” (p. 63). A “sense of<br />

collaborative struggle” (p. 63), “a responsible reflexivity” (p. 64), and “an<br />

assessment of epistemological responsibleness” (p. 65) are dimensions of a<br />

pedagogy of possibility that nurture “communities of solidarity” (p. 65) <strong>de</strong>fined<br />

across difference.<br />

Simon ends this important essay with a especially provocative section in<br />

which, as a response to the work of Jane Gallop, he raises the question “Is there

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