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4 Religious places<br />

78<br />

This chapter examines the physical context of Roman religious activity. It aims<br />

to show that temples, altars, sacred precincts and groves were more than just a<br />

'backdrop' to religious ceremony, but were themselves (in their layout, design,<br />

decoration) an important part of religious experience, bearers of religious<br />

meaning. To put it at its most simple, a different context meant a different religious<br />

experience. The chapter starts with the physical context of traditional<br />

Roman civic cult (4.1-5), comparing this with the temples of the cult of<br />

Mithras (4.6). It then looks at the wider 'religious geography' of the city of<br />

<strong>Rome</strong> (4.7-8), as well as sanctuary sites in Italian towns and countryside<br />

(4.9-11). Finally, after the 'private' religious space of the home (4.12) and<br />

tomb (4.13), it considers Jewish synagogues (4.14) and Christian churches<br />

(4.15).<br />

4.1 The Roman temple-building<br />

In its simplest form a Roman temple-building {aedes) was a 'house' for a statue<br />

of a deify. It was not primarily a centre for a congregation or a place of worship.<br />

Most ritual associated with the temple (particularly animal sacrifice) took place<br />

in the open air - often around an altar, which stood outside the building itself.<br />

The aedes (at least in the case of the smaller temples of the city of <strong>Rome</strong>) may<br />

normally have been closed and inaccessible to the public.<br />

Sec further: Stambaugh (1978)* and I.M. Barton (1989)*. For the distinction<br />

between an aedes and a temphtm, see 4.4.<br />

4. la The temple ofPortunus at <strong>Rome</strong><br />

The small temple of Portunus (a god connected with the harbour) was<br />

founded in the fourth or third century B.C. Its present appearance dates to the<br />

late second or first century B.C. (with considerable later restorations, including<br />

conversion into a church in the ninth century A. D.). In antiquity it would have<br />

looked much less austere than this photograph suggests - with a complete<br />

coating of white stucco, as well as a decorative frieze in stucco (showing candelabra<br />

and festoons).<br />

See further: on the temple of Portunus (once wrongly identified as the

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