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The histories of Herodotus;

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HERODOTUS ix<br />

when he began his story-book. <strong>The</strong> thought that seems to<br />

dominate the whole was at best an after-thought, and what<br />

we have is an attempt to bring a mass <strong>of</strong> heterogeneous mate-<br />

rial into some kind <strong>of</strong> connection with the history <strong>of</strong> the sec-<br />

ond Persian war, the only part <strong>of</strong> the work that has any true<br />

coherence. By processes familiar to the student <strong>of</strong> Homeric<br />

criticism, evidence is adduced to show the imperfect welding<br />

<strong>of</strong> the mass and the incompleteness <strong>of</strong> the work. References<br />

are made to stories that are never told, to persons that never<br />

recur, and not only so, but, according to these critics, the<br />

narrative fails <strong>of</strong> a proper close. It should have ended earlier<br />

or later. Even the marvellous style has not escaped criticism,<br />

and attempts have been made to prove that the <strong>histories</strong> lack<br />

the supreme touch <strong>of</strong> the master's hand.<br />

But we must beware <strong>of</strong> over-analysis. If <strong>Herodotus</strong> did<br />

not set out with a fixed purpose and a definite plan, if he<br />

began as a curious traveller, and not as a systematic investi-<br />

gator, still there must have been in his mind a general con-<br />

ception <strong>of</strong> the universe, which grew clearer and sharper as<br />

he matured, so that long before he came to write his preface<br />

the work <strong>of</strong> his life was revealed to himself. Revision, elabora-<br />

tion, there must have been, but the unity <strong>of</strong> the work lies in<br />

its moral purport.<br />

At all events it is this unity, this grasp <strong>of</strong> a vast and varied<br />

material, that is one <strong>of</strong> the special claims set up for <strong>Herodotus</strong><br />

as the originator <strong>of</strong> a new department <strong>of</strong> literature, and before<br />

proceeding to consider the other points in which the historian<br />

differentiates himself from his predecessors it is necessary to<br />

give some brief account <strong>of</strong> the earlier writers <strong>of</strong> Greek prose.<br />

<strong>The</strong> extent <strong>of</strong> <strong>Herodotus</strong>'s obligations to his predecessors<br />

is variously estimated, and there are those who have made<br />

<strong>Herodotus</strong> out to be an unscrupulous conveyer <strong>of</strong> other men's<br />

labours. But the charge <strong>of</strong> plagiarism, to which modern writers<br />

are extremely sensitive, glanced harmless from the armour<br />

<strong>of</strong> the Greek <strong>of</strong> the best period. Later Greeklings have much<br />

to say about stealing one from another. <strong>The</strong> true masters<br />

helped themselves to what they needed. A good thing was

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