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Appendix 1

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Finishing on Film<br />

Some people think that with platter projection systems and digital intermediate, this is no longer a<br />

problem. But, such is not the case. If you place a reel change in a scene, you will see it and hear it.<br />

If you are fi nishing on 16 mm, the reel length is 1,200 feet or 33 minutes with leaders or 31 minutes<br />

of program.<br />

Exporting Cut Lists<br />

To export a cut list in Final Cut Pro, go to File > export > Cinema Tools fi lm List (see Figure 5.5).<br />

Click OK and Final Cut asks for the Cinema Tools database. Direct it to your database. Cinema Tools<br />

links only to V1 in the timeline. It sees V2 as a superimpose effect, and it ignores all other video<br />

tracks. So, keep your shots in V1 only. If you are doing opticals or A/B-roll conforming, you can<br />

place any superimpose or effects footage in V2. As they are totally ignored, you can make notes to<br />

yourself using the title generator in V3 or 4.<br />

Figure 5.5 Export fi lm lists in Final Cut Pro. This can be linked to the Cinema Tools database and fi lm<br />

lists exported for conforming negative or workprint to the edit<br />

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