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Appendix 1

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The Filmmaker’s Guide to Final Cut Pro Workfl ow<br />

Double-perf fi lm is becoming somewhat rare, single-perf fi lm is often used even on standard 1.33<br />

16 mm projects. However, some fi lmmakers still prefer double-perf. 16 mm double-perforated leader<br />

should be used only if the entire negative is double perforated. If any of the original is single perforated,<br />

use single-perf leader in the same wind as your original to warn the lab not to attempt to print<br />

tail to head. While it is possible to mix single and double perf, this can be confusing for you and the<br />

lab.<br />

A and B Rolling<br />

There are two systems for building print rolls. In the fi rst, you simply splice the negative into one<br />

roll. The splice can be seen in full-screen 1.33, but on 35 mm at 1.85, it can’t be seen. With this<br />

system, other than fades to white, all effects, including fades to black and dissolves, become expensive<br />

opticals. Nevertheless, it is the system most often used on 1.85 35 mm projects.<br />

The second system is called A-B rolling. With this system, two rolls of negative are cut. The fi rst<br />

shot is cut into A, the second into B, the third into A, and so forth, as shown in Figure A8.1. The<br />

spaces between are fi lled with black leader creating a sort of checkerboard layout. Fades and dissolves<br />

are easy and there is no extra cost per effect.<br />

Figure A8.1 A-B rolls and print<br />

Each roll is printed onto the print stock separately. The splices don’t show using this system because<br />

the black leader covers the overlapping fi lm. Because of the invisible splices, this is the only system<br />

that can be used for 35 mm full-frame and 16 mm. A-B rolling costs a lot more: the negative cutters<br />

charge more, the lab charges a lot more for printing, and the black leader is expensive. However,<br />

opticals are also expensive. The cost-saving of avoiding A-B rolling soon disappears if you have a<br />

lot of opticals. Count the number of effects and get prices.<br />

On some fi lms, a C roll is made as well. The C roll is used for extended superimpositions, often<br />

titles. As each roll is printed in a separate pass, many layers of image can be superimposed. Even a<br />

D roll or an E roll may be used if there are complex superimpositions. This is also how fades to<br />

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