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Appendix 1

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<strong>Appendix</strong> 7: Understanding File Architecture<br />

Figure A7.4 is an example of the reverse telecine operation in Cinema Tools that has been applied<br />

to the three shots in the previous two fi gures. New media has been created at 24P, the original media<br />

being 29.97 FPS. The new media has the extension .rev added and has been placed in a new folder<br />

named “reversed.” The original media has been moved to a new folder named “originals” breaking<br />

the links (transparent links) and causing the shots to go off-line. The Final Cut Pro links need to be<br />

redirected to the new “reversed” folder. Cinema Tools has automatically been linked to the reversed<br />

folder (white links).<br />

Figure A7.4 Reversed telecine fi ling structure<br />

This is covered in detail in Chapter 1 on Cinema Tools and editing in 24P. For now, it’s most important<br />

to understand how the fi ling system works and understand the importance of having a logical<br />

fi ling system.<br />

Filing Strategies<br />

Different editors have different systems of organizing their fi les. Final Cut Pro is designed to keep<br />

all projects together in one set of folders. While this may be confusing over time, it is a great system<br />

when working on several related projects at the same time.<br />

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