Christiaan Huygens – A family affair - Proeven van Vroeger
Christiaan Huygens – A family affair - Proeven van Vroeger
Christiaan Huygens – A family affair - Proeven van Vroeger
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is worthwhile to draw a substantial background of his own career and social background.<br />
What were his own ambitions, professionally and socially? How did he fashion a position for<br />
himself at court, and what does it tell about his expectations of and hopes for his sons? Would<br />
Constantijn Sr. have a reason to keep <strong>Christiaan</strong> Jr. outside academia and seek the protection<br />
of a noble ruler? What did <strong>Christiaan</strong>’s father know about patronage and the working of the<br />
court and could his support be needed or rele<strong>van</strong>t for his son’s professional position? Part I<br />
handles these questions in two chapters.<br />
In Chapter II <strong>–</strong> A “Grand Tour” de Force in self-fashioning <strong>–</strong> it is discussed how the<br />
young Constantijn <strong>Huygens</strong> Sr. grew to be a courtier and developed a thorough understanding<br />
of the value of music, poetry and language for social and professional self-fashioning. I discuss<br />
the difficulty of getting back into the historical picture the human efforts of someone who<br />
made an art of feigning effortlessness (“sprezzatura”) in his actions and writings <strong>–</strong> i.e. the<br />
problem of describing a courtier who wrote and acted according to the best courtly manners.<br />
Chapter III <strong>–</strong> Princely “Friendship” <strong>–</strong> sketches Constantijn Sr.’s relationship with the House<br />
of Orange; the vast possibilities for socio-professional growth and the distinctly economic<br />
dimension of serving under noble Dutch Stadholders. Constantijn Sr. is portrayed as an<br />
upper-bourgeois, aiming for social elevation into a new elite <strong>–</strong> the noblesse de robe <strong>–</strong> and the far-<br />
reaching consequences of this desire for his whole <strong>family</strong>. I give a picture of him as a double-<br />
dyed courtier who was completely at ease in the highest echelons of society and who was<br />
familiar with all “ins and outs” of the aristocracy. 11 Thus, <strong>Huygens</strong> could form a central node in<br />
Prince Frederik Hendrik’s grand ambitions with the Orange Court.<br />
The main part of this thesis is formed by Part Two <strong>–</strong> Fashioning a Courtier-<br />
Mathematician: a Family Affair. Central stands the intersection (or even unity, at times) of the<br />
lives and works of father (Constantijn Sr.) and son (<strong>Christiaan</strong> Jr.) <strong>Huygens</strong>. I investigate<br />
ways in which Constantijn Sr., and more broadly, the <strong>Huygens</strong> <strong>family</strong>, secured and elevated<br />
<strong>Christiaan</strong> Jr.’s socio-professional position, both in courtly-diplomatic and natural scientific<br />
spheres. Notably, <strong>Christiaan</strong> Jr.’s endeavors did also contribute to his father’s ambitions in the<br />
social and professional realm, stimulating the interaction between their pursuits. A central<br />
theme in Part Two is formed by the conspicuous overlap between the social ambits of the<br />
11 It will be seen that the emphasis in my thesis lies within the social, political and economic realm and<br />
little attention is paid to matters of religion. For a comprehensive picture of either one of the <strong>Huygens</strong>, a<br />
thorough discussion of their religious stance and the impact of religion on their life and works is, of<br />
course, needed. I do not have the ambition to be all-inclusive, however, as my main objective is to offer a<br />
new perspective on a mostly known complex of historical facts. Hopefully, the presented perspective<br />
will be found interesting enough to be included in more comprehensive works in the future.<br />
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