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Christiaan Huygens – A family affair - Proeven van Vroeger

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Versailles 306 <strong>–</strong> a pleasant surprise, considering the circumstances, and it will have had its fruits<br />

for <strong>Christiaan</strong> too. It was on the basis of his father’s wishes and contacts, moreover, that<br />

<strong>Christiaan</strong> would finish his journey with a visit to London. Constantijn Sr. wanted to make<br />

sure that <strong>Christiaan</strong> would attend the coronation at Westminster Abbey of Charles II, of the<br />

restored Royal House of Stuart, and he had asked Prince Maurits to request the Elector of<br />

Brandenburg whether the latter would accommodate <strong>Christiaan</strong>. <strong>Christiaan</strong> Jr.’s next visit to<br />

London (June <strong>–</strong> September 1663) was together with his father, and again it was his father<br />

who used his contacts and influence to arrange favorable social occasions and honorable seats<br />

at dance-performances at the Royal Court. 307<br />

In the following years, <strong>Christiaan</strong> would profit a lot from his many contacts at court, in<br />

the Dutch Republic and England, but predominantly in Paris. The social network of<br />

ambassadors and diplomats secured a fine platform for meeting useful and important people<br />

(<strong>Huygens</strong> dined together with Thomas Hobbes and Sorbière “at the house of the French<br />

ambassador” 308 ) and <strong>Christiaan</strong> made sure to partake actively in the pomp and pleasantries<br />

that brought the courtly elites together. 309<br />

iii. Ethos and aesthetics<br />

<strong>Christiaan</strong> (and his brothers) dressed, behaved and read books according to the needs<br />

of their social circumstances. They worked on “[l]a bonne et belle conversation,” learned to<br />

develop a cosmopolitan taste for clothing-fashion and paid great attention to their public<br />

306 HUYGENS, C. (1888) OC., Vol. IV, No. 967 (Feb. 8, 1662). “Nous avons estè fort edifiez de veoir<br />

combien mon Pere est traitè honorablement dans cette cour la [Versailles]. Il n’aura pas de petites<br />

choses à raconter à son retour”.<br />

307 Ibid., Vol. IV, No. 1132 (Jul. 13, 1663), No. 1126 (Jun. 29, 1663)<br />

308 SHAPIN, S. & SCHAFFER, S. (1985) Leviathan and the air-pump : Hobbes, Boyle, and the experimental<br />

life : including a translation of Thomas Hobbes, Dialogus physicus de natura aeris by Simon Schaffer, Princeton,<br />

N.J., Princeton University Press., p252<br />

309 HUYGENS, C. (1888) OC., Vol. V, No. 1211 (Feb. 8, 1664). A week from <strong>Christiaan</strong>’s life in Paris<br />

in1664 (italics added): “Trois bals en une sepmaine c’est beaucoup a la Haye mais icy il ne passe point<br />

de nuict qu’il n’y en ait 8 ou 10. J’ay estè les veoir une fois en bonne compagnie, et le divertissement en<br />

est assez joli mais accompagnè de beaucoup d’embaras. Dimanche passè je vis au Louvre le petit Balet<br />

qui fut dansè dans le salon de la Reine Mere [The Queen Mother]. C’est une petite Comedie de Moliere<br />

fort plaisante qui a nom le Mariage forcè, entremeslee avec des entrees de ballet, et quelques recits de<br />

Musique, desquels font Mademoiselle Hilaire, et la Signora Anna. Le roy y danse luy mesme, et je croy que<br />

c’est aujourduy pour la 6me et derniere fois. Le premier essay du grand ballet se sera lundy qui vient mais le<br />

lieu estant fort petit, qui est la Salle au Palais Royal, je me donneray la patience d’attendre jusques a la<br />

2me ou 3me representation.” <strong>Christiaan</strong>’s library catalogue names some fifteen booklets and more<br />

voluminous publications, published and disseminated either during or after these great, splendid events.<br />

The publication for this celebration of the Queen was also on <strong>Christiaan</strong>’s list: under “Different Packets<br />

of Scarce Printwork (folio), one finds: 7. Les plaisirs de l’Isle enchantée, Course de Bague, Collation, Comedie,<br />

Danses, &c. fait à Versailles en 1664. De l’Imprimerie du Louvre, fig. (Appendix B).<br />

90

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