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PIERRE BOAISTUAU - eTheses Repository - University of Birmingham

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The fact that most <strong>of</strong> Boaistuau’s editions were printed in Paris makes his work<br />

representative <strong>of</strong> the centralized character <strong>of</strong> French print industry at the time.<br />

Furthermore, it reveals his conscious decision to live and work in the capital, thus<br />

pursuing a writing career in a city that <strong>of</strong>fered him the greatest possibilities <strong>of</strong><br />

success. Paris, along with Antwerp in the north and Venice in the south, was one <strong>of</strong><br />

the most suitable environments for an active writer in the mid-sixteenth century. It<br />

had a vibrant book trade with international links, and some <strong>of</strong> the biggest publishing<br />

firms in Europe, such as Vincent Sertenas, Jean Longis and Gilles Robinot who<br />

published many editions <strong>of</strong> Boaistuau’s works. The city’s centralized production and<br />

wide circulation network, combined with the Breton’s talent, ensured his successful<br />

writing career.<br />

2.3.2. The physical nature <strong>of</strong> books<br />

Elegance was another feature <strong>of</strong> the French book production at the time, greatly<br />

derived by the centralized character <strong>of</strong> the industry. As Andrew Pettegree has noted,<br />

‘The concentration <strong>of</strong> capital and expertise in Paris, and to a lesser extent, Lyon,<br />

facilitated the production <strong>of</strong> books <strong>of</strong> ever greater quality and sophistication’. 337 It is<br />

not a coincidence that these favourable conditions led to the appearance <strong>of</strong> many print<br />

novelties for the first time in Paris and Lyon, where the necessary capital allowed the<br />

great number <strong>of</strong> specialised artisans to experiment with new forms and techniques.<br />

The elegance and refinement <strong>of</strong> French books was also the result <strong>of</strong> attention to detail<br />

by printers, typographers, illustrators and book-binders, and <strong>of</strong> the assimilation <strong>of</strong><br />

337 Pettegree, A., ‘Centre and periphery in the European book world’, p. 110.<br />

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